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The Protected Landscape Approach - Centre for Mediterranean ...

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Appendix 4<br />

Cul tural Land scapes un der the World Her i tage Con ven tion<br />

(Extract from the World Heritage Convention Operational Guidelines)<br />

<strong>The</strong> following are excerpts on Cultural <strong>Landscape</strong>s from Annex 3 of the Operational Guidelines to<br />

the World Heritage Convention, which govern the implementation of the convention<br />

“3. Cultural landscapes represent the “combined works of nature and of man” designated in<br />

Article 1 of the Convention. <strong>The</strong>y are illustrative of the evolution of human society and<br />

settlement over time, under the influence of the physical constraints and/or opportunities<br />

presented by their natural environment and of successive social, economic and cultural <strong>for</strong>ces,<br />

both external and internal. <strong>The</strong>y should be selected on the basis both of their outstanding<br />

universal value and of their representativity in terms of a clearly defined geo-cultural region and<br />

also <strong>for</strong> their capacity to illustrate the essential and distinct cultural elements of such regions.<br />

4. <strong>The</strong> term “cul tural land scape” em braces a di ver sity of man i fes ta tions of the in ter ac tion be -<br />

tween hu man kind and its nat u ral environment.<br />

9. Cultural landscapes often reflect specific techniques of sustainable land-use, considering the<br />

characteristics and limits of the natural environment they are established in, and a specific<br />

spiritual relation to nature. Protection of cultural landscapes can contribute to modern<br />

techniques of sustainable land-use and can maintain or enhance natural values in the land -<br />

scape. <strong>The</strong> continued existence of traditional <strong>for</strong>ms of land-use supports biological diversity<br />

in many regions of the world. <strong>The</strong> protection of traditional cultural landscapes is there<strong>for</strong>e helpful<br />

in maintaining biological diversity”.<br />

Three kinds of Cultural <strong>Landscape</strong> are recognised:<br />

(1) <strong>Landscape</strong>s designed and created intentionally by people: examples are gardens and<br />

parklands constructed <strong>for</strong> aesthetic reasons.<br />

(2) Organically evolved landscapes: these result from an interaction between a social,<br />

economic, administrative and or religious imperative and the natural environment. Two<br />

<strong>for</strong>ms exist:<br />

a) A relict or fossil landscape where the evolutionary process has ceased;<br />

b) A continuing landscape where the evolutionary processes continue to this day, with an<br />

active social role in contemporary society closely linked with the traditional way of<br />

life, at the same time exhibiting significant material evidence of its evolution over<br />

time.<br />

(3) Associative cultural landscapes: these are landscapes that are important by virtue of the<br />

powerful religious, artistic or cultural associations of the natural elements, rather than<br />

material cultural evidence.<br />

Source: UNESCO, 2004.<br />

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