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The Protected Landscape Approach - Centre for Mediterranean ...

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3. World Heritage Cultural <strong>Landscape</strong>s: a global perspective<br />

<br />

<br />

organically evolved landscapes which can be either relict landscapes or continuing<br />

landscapes. This type of landscape results from an initial social, economic, admin istrative<br />

and/or religious imperative and has developed its present <strong>for</strong>m by association with and in<br />

response to its natural environment. Such landscapes reflect that process of evolution in<br />

their <strong>for</strong>m and component features. <strong>The</strong>se include a number of agricultural landscapes<br />

ranging from the tobacco landscape of Viñales Valley in Cuba, the Rice Terraces of the<br />

Philippine Cordilleras or the Puszta pastoral landscape of Hortobagy National Park in<br />

Hungary; and<br />

associative cultural landscapes. <strong>The</strong> inclusion of such landscapes on the World<br />

Heritage List is justifiable by virtue of the powerful religious, artistic or cultural associ -<br />

ations of the natural element rather than material cultural evidence, which may be<br />

insignificant or even absent. This type is exemplified by Uluru Kata Tjuta in Australia,<br />

Sukur in Nigeria and Tongariro National Park in New Zealand.<br />

Many cultural landscapes – 36 from all regions of the world, as of 2003 – have been<br />

nominated and inscribed on the World Heritage List since the 1992 landmark decision (see<br />

Appendix 6 <strong>for</strong> a list). Cultural landscapes are inscribed on the World Heritage List on the basis<br />

<strong>The</strong> Lednice Valtice World<br />

Heritage Site (Czech Republic) is<br />

an example of a cultural landscape<br />

designed and created intentionally<br />

by people. Jessica Brown<br />

39

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