14-1190b-innovation-managing-risk-evidence
14-1190b-innovation-managing-risk-evidence
14-1190b-innovation-managing-risk-evidence
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access to education that are occurring worldwide.<br />
The number of children not attending school has dropped<br />
from 108 million to approximately 60 million over the past<br />
two decades 25 . Globally, 91% of primary-school-age students<br />
and 62.5% of secondary-school-age students were enrolled<br />
in school in 2010 (ref.26). Global tertiary enrolment has<br />
also risen, from 19% in 2000 to 29% in 2010 (178 million<br />
students worldwide). Though the percentage of students<br />
enrolled in tertiary education continues to vary significantly<br />
between countries and regions 27 , it is predicted that global<br />
enrolment in higher education will increase by almost<br />
50% to 262 million students by 2025, driven primarily by<br />
increases in educational attainment in China and India 28 .<br />
Students are not only attaining higher levels of education,<br />
but they are also moving to access this education. The<br />
number of university students studying abroad doubled<br />
during the first decade of this century and stood at almost<br />
4.3 million in 2013 (ref.29). With new <strong>innovation</strong>s like<br />
Massive Open Online Courses (MOOCs) altering the<br />
educational landscape, growing numbers of people around<br />
the world will have access to the best academic institutions.<br />
With these increases across all levels of educational<br />
attainment, growing numbers of young people will develop<br />
the foundational, technical and transferable skills that can<br />
make the global population more flexible, adaptable and<br />
innovative.<br />
1.4 Addressing demographics through <strong>innovation</strong><br />
Our demographic future is remarkably uncertain. The UN<br />
population forecasts for 2050 range from a high of around<br />
11 billion people to a low of less than 9 billion. Nevertheless,<br />
one thing is clear: the global population is becoming<br />
dramatically older. Changing demographics alter the global<br />
economy and will have a powerful influence over markets<br />
and investment opportunities.<br />
The combination of rising demands on state and private<br />
CASE STUDY<br />
COMMUNICATING THE RISK OF CLIMATE CHANGE<br />
James Lyons (University of Exeter)<br />
30<br />
Environmental scientists have long acknowledged<br />
that global climate change is a “highly complex<br />
and global elusive hazard”, characterized by<br />
“system lags and lack of immediacy” 1 , which makes it<br />
particularly difficult to convey to lay people. Investigating<br />
public perceptions of climate change, Thomas Lowe and<br />
colleagues found that this challenge is compounded<br />
by the fact that “people feel overwhelmed by shocking<br />
images and, although it heightens their concern, it also<br />
reduces their self-efficacy to take action and lessen<br />
these events through personal action” 2 .<br />
Gill Ereaut and Nat Segnit have coined the term<br />
‘climate porn’ to describe the counterproductive<br />
impact of unintentionally thrilling images of sensational<br />
environmental disaster 3 . If, as Susanne C. Moser and Lisa<br />
Dilling propose 1 ,“the goal of effective<br />
<strong>risk</strong> communication is precisely to<br />
support proper adaptive behavior”,<br />
then it seems particularly important<br />
to use strategies cognizant of the<br />
role played by images and visual<br />
metaphors in the understanding of<br />
climate change <strong>risk</strong>.<br />
An instructive instance of a highprofile<br />
communication campaign<br />
around climate change is the<br />
award-winning documentary An<br />
Inconvenient Truth, presented<br />
by former US Vice President<br />
Al Gore. Its approach to <strong>risk</strong> communication is highly<br />
visual, employing numerous graphics, graphs, video<br />
clips and charts as part of the slideshow that forms<br />
the backbone of the film. But just as important to its<br />
approach is the way that it utilizes what psychologists<br />
Amos Tversky and Daniel Kahneman have termed the<br />
“availability heuristic” in employing imaginatively vivid<br />
and personalized examples of everyday <strong>risk</strong> arising<br />
from Gore’s family life, from automobile accidents to<br />
smoking-related lung cancer 4 . In the face of an issue<br />
that can seem remote and abstract, this emphasis on<br />
visually compelling everyday<br />
<strong>risk</strong> seeks to recalibrate<br />
the audience’s own <strong>risk</strong><br />
perception, embodying<br />
what Paul Slovic, in his<br />
work on the affective<br />
dimensions of <strong>risk</strong><br />
perception, terms the<br />
“feeling of <strong>risk</strong>” — making<br />
the issue personally and palpably graspable 5 .<br />
By creating powerful visual metaphors that<br />
help to bring the issue within the ambit of the<br />
everyday, the film is able to sidestep paralyzing<br />
alarmism and abstruse complexity, concentrating<br />
ultimately on modeling what it means to be<br />
an informed citizen capable of exercising<br />
individual agency in relation to an array of<br />
contemporary <strong>risk</strong>s 6 .