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access to education that are occurring worldwide.<br />

The number of children not attending school has dropped<br />

from 108 million to approximately 60 million over the past<br />

two decades 25 . Globally, 91% of primary-school-age students<br />

and 62.5% of secondary-school-age students were enrolled<br />

in school in 2010 (ref.26). Global tertiary enrolment has<br />

also risen, from 19% in 2000 to 29% in 2010 (178 million<br />

students worldwide). Though the percentage of students<br />

enrolled in tertiary education continues to vary significantly<br />

between countries and regions 27 , it is predicted that global<br />

enrolment in higher education will increase by almost<br />

50% to 262 million students by 2025, driven primarily by<br />

increases in educational attainment in China and India 28 .<br />

Students are not only attaining higher levels of education,<br />

but they are also moving to access this education. The<br />

number of university students studying abroad doubled<br />

during the first decade of this century and stood at almost<br />

4.3 million in 2013 (ref.29). With new <strong>innovation</strong>s like<br />

Massive Open Online Courses (MOOCs) altering the<br />

educational landscape, growing numbers of people around<br />

the world will have access to the best academic institutions.<br />

With these increases across all levels of educational<br />

attainment, growing numbers of young people will develop<br />

the foundational, technical and transferable skills that can<br />

make the global population more flexible, adaptable and<br />

innovative.<br />

1.4 Addressing demographics through <strong>innovation</strong><br />

Our demographic future is remarkably uncertain. The UN<br />

population forecasts for 2050 range from a high of around<br />

11 billion people to a low of less than 9 billion. Nevertheless,<br />

one thing is clear: the global population is becoming<br />

dramatically older. Changing demographics alter the global<br />

economy and will have a powerful influence over markets<br />

and investment opportunities.<br />

The combination of rising demands on state and private<br />

CASE STUDY<br />

COMMUNICATING THE RISK OF CLIMATE CHANGE<br />

James Lyons (University of Exeter)<br />

30<br />

Environmental scientists have long acknowledged<br />

that global climate change is a “highly complex<br />

and global elusive hazard”, characterized by<br />

“system lags and lack of immediacy” 1 , which makes it<br />

particularly difficult to convey to lay people. Investigating<br />

public perceptions of climate change, Thomas Lowe and<br />

colleagues found that this challenge is compounded<br />

by the fact that “people feel overwhelmed by shocking<br />

images and, although it heightens their concern, it also<br />

reduces their self-efficacy to take action and lessen<br />

these events through personal action” 2 .<br />

Gill Ereaut and Nat Segnit have coined the term<br />

‘climate porn’ to describe the counterproductive<br />

impact of unintentionally thrilling images of sensational<br />

environmental disaster 3 . If, as Susanne C. Moser and Lisa<br />

Dilling propose 1 ,“the goal of effective<br />

<strong>risk</strong> communication is precisely to<br />

support proper adaptive behavior”,<br />

then it seems particularly important<br />

to use strategies cognizant of the<br />

role played by images and visual<br />

metaphors in the understanding of<br />

climate change <strong>risk</strong>.<br />

An instructive instance of a highprofile<br />

communication campaign<br />

around climate change is the<br />

award-winning documentary An<br />

Inconvenient Truth, presented<br />

by former US Vice President<br />

Al Gore. Its approach to <strong>risk</strong> communication is highly<br />

visual, employing numerous graphics, graphs, video<br />

clips and charts as part of the slideshow that forms<br />

the backbone of the film. But just as important to its<br />

approach is the way that it utilizes what psychologists<br />

Amos Tversky and Daniel Kahneman have termed the<br />

“availability heuristic” in employing imaginatively vivid<br />

and personalized examples of everyday <strong>risk</strong> arising<br />

from Gore’s family life, from automobile accidents to<br />

smoking-related lung cancer 4 . In the face of an issue<br />

that can seem remote and abstract, this emphasis on<br />

visually compelling everyday<br />

<strong>risk</strong> seeks to recalibrate<br />

the audience’s own <strong>risk</strong><br />

perception, embodying<br />

what Paul Slovic, in his<br />

work on the affective<br />

dimensions of <strong>risk</strong><br />

perception, terms the<br />

“feeling of <strong>risk</strong>” — making<br />

the issue personally and palpably graspable 5 .<br />

By creating powerful visual metaphors that<br />

help to bring the issue within the ambit of the<br />

everyday, the film is able to sidestep paralyzing<br />

alarmism and abstruse complexity, concentrating<br />

ultimately on modeling what it means to be<br />

an informed citizen capable of exercising<br />

individual agency in relation to an array of<br />

contemporary <strong>risk</strong>s 6 .

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