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European Identity - Individual, Group and Society - HumanitarianNet

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50 EUROPEAN IDENTITY. INDIVIDUAL, GROUP AND SOCIETYyou completely. I shall therefore simply highlight some issues ofparticular relevance to an alternative educational model, as opposed tothe increasing market values, consumption <strong>and</strong> disrespect for the ruleof law <strong>and</strong> wars to which we are all accustomed.Despite the fact that I have roamed around a Europe which rangesfrom Cádiz, Palermo <strong>and</strong> Athens to Paris, Oxford <strong>and</strong> Dublin via Prague,Berlin <strong>and</strong> St Petersburg, the real Europe that I have discovered on mywide-eyed w<strong>and</strong>erings is in fact all about a spiritual adventure. It is forthis reason that I intend to start off by offering you a vision of Europewhere philosophy is very much in the foreground. In any case, this isonly part of the bigger picture, since the notion of Europe alsoencompasses its own historical pedigree within our continent <strong>and</strong> itsinfluence on the rest of the world.The philosopher’s EuropeThe philosopher’s Europe is vast; however for the purposes of thispaper I shall offer a summary of its Humanistic elements. We can see thistendency originating in the Dialogues by Plato (428-347 BC), the respublica theory postulated by Cicero (106-43 BC), <strong>and</strong> the Meditations ofMarcus Aurelius (AD 121-180); these ideas are described by Burckhardtin Renaissance Italy 2 <strong>and</strong> permeate the works of philosophers fromLocke, Erasmus, Galileo, Newton, Voltaire <strong>and</strong> Diderot to Lessing, Kant,Goethe, Marx, Bertr<strong>and</strong> Russell <strong>and</strong> Ernst Bloch 3 .Europe, the daughter of Agenor, king of Tyre, from the isle of Crete. The kidnappinghas been immortalized various different ways in art: the frieze in Selinonte (6th centuryBC, Palermo, Museo Archeologico Regionale) with a religious aura; courting in Pompey(2nd century BC, Naples, Museo Archeologico Nazionale); as bounty in Titian’s version(1559-1562, Boston, Isabella Stewart Gardner Museum); <strong>and</strong> finally against abackground of prosperity full of raffinatezza <strong>and</strong> sensuality in the Veronese version(1528-1588, Rome, Musei Capitolini).2Cfr. J. Buckhardt, Die Kultur der Renaissance in Italien, Frankfurt am Main:Deutscher Klassiker Verlag, 1989.3Such is the tendency discovered by Burckhardt in Renaissance Italy (from Petrarch[Epistola, 1336–1353; 1304-1374] <strong>and</strong> Pico della Mir<strong>and</strong>ola [De dignitate hominis,1486; 1463-1494] to Francisco de Vitoria [Theologicae Relectiones, 1557; 1486 - 1546])<strong>and</strong> which underlies the work of Locke (Two essays regarding civil government; OnTolerance; Essay concerning Human Underst<strong>and</strong>ing; 1632-1704), Erasmus (1469–1536),Galileo (1564–1642), Newton (1642–1727), Voltaire (Essai sur les moeurs; Traité sur latolerance, 1694-1778) <strong>and</strong> Diderot (L’Encyclopedie, 1751, 1713–1784) <strong>and</strong> also Lessing(Nathan der Weise, 1779, 1729-1781), Kant (Was ist Aufklärung?, 1784; 1724-1804),Goethe (1749–1832), Marx (1818–1883), Bertr<strong>and</strong> Russell (1872–1970) <strong>and</strong> Ernst Bloch(Das Prinzip Hoffnung, 1959, 1885-1980).

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