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European Identity - Individual, Group and Society - HumanitarianNet

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54 EUROPEAN IDENTITY. INDIVIDUAL, GROUP AND SOCIETYculture; antiquity <strong>and</strong> tradition versus novelty <strong>and</strong> change; reaction <strong>and</strong>revolution; immanence <strong>and</strong> transcendence, <strong>and</strong> so on. We can witnessa constant clash of ideas in <strong>European</strong> culture: Faust’s thirst forknowledge, for instance, conjures up Mephistopholes, the spirit ofnegation. Negative thought —the negation of reality in Hegelian terms—is the energy which enlivens the spirit. Such negativity can be found inmany different guises —doubt, irony, rebellion or protest— but mustnever be confused with scepticism or pessimism. Doubt, for instance, isnot just present in Montaigne’s meditation but also in Descartes’method; it is a part of Hume’s empiricism <strong>and</strong> is inherent to Pascal’sfaith.In the theatre, Hamlet was the physical embodiment of doubt. DonQuixote, Faust 6 <strong>and</strong> Don Juan are all protagonists of a failed quest forthe absolute. Each one of them, in his own way, denied finitude,believed in the unlimited, <strong>and</strong> deliberately ignored the principle ofreality at the very moment when the world of science, capitalism <strong>and</strong>the middle classes was experiencing phenomenal vivacity, based on theselfsame principle of reality. <strong>European</strong> literature has always bornenegativity, the result of failures <strong>and</strong> sufferings, a vision of undefinedprogress <strong>and</strong> of conquering the planet.<strong>European</strong> genius is the fruit of tension <strong>and</strong> of the communicationthat takes place between the diverse elements involved in historicalchange, <strong>and</strong> is present in both continuous renewal <strong>and</strong> in the tensionbetween old <strong>and</strong> new. Of crucial importance to <strong>European</strong> culturalevolution is the productive meeting of variations, coincidences <strong>and</strong>negation. Opposing forces survive each dialectical crisis, but withoutever succumbing to one another; instead, the argument is pushedonwards <strong>and</strong> develops greater scope. <strong>European</strong> culture does not justexperience these oppositions, conflicts <strong>and</strong> crises, they are in actualfact its life-blood. Opposing ideas are no less important than dominantbeliefs such as Christianity, Humanism, reason <strong>and</strong> science 7 .6Cfr. Marshall Berman, All That is Solid Melts into Air. The Experience of Modernity,London: Verso, 1983.7Díez del Corral, Luis. El rapto de Europa, 1974; Guillén, Claudio. Múltiplesmoradas, 1998; Horst Stuke, Aufklärung, in Geschichtliche Grundbegriffe. HistorischesLexikon zur politisch – sozialen Sprache in Deutschl<strong>and</strong>, Hrsg. Von O. Brunner; Conze,W.; R. Koselleck, 1979; Duroselle, J.B. L’Idée d’Europe dans l’Histoire, 1965; Schneider,P. … ein einzig Volk von Brüdern, 1987; P. Gay, The Enlightenment, v. I, The Rise ofModern Paganism, London, 1970; id. Dichter, Denker, Jakobiner. Aufklärung undRevolution, Hamburg: Rowohlt Verlag 1973; Zu Begriff und Problem der Renaissance,August Buck Hrsg. Darmstadt: Wissenschaftliche Buchgesellschaft, 1969; Paul Valery,Note (or L’Européen), in Revue universelle, Paris, 15 July 1924 - Oeuvres, Paris:

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