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7918KB - Yamaha

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Song Recording<br />

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90<br />

The harmony notes (type 7–16) can be recorded to the tracks 6–8. To record<br />

harmony notes, first turn Harmony on and then press the TRACK buttons numbered<br />

6–8 to select 6–8 tracks for recording.<br />

HARMONY<br />

ACCOMPANIMENT<br />

ON / OFF<br />

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16<br />

001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213<br />

RHYTHM<br />

1<br />

RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE MELODY MELODY MELODY MELODY ACMP VOICE VOICE VOICE<br />

2 1 2<br />

1 2<br />

1 2 3 4 L R2 R1<br />

ACCOMPANIMENT TRACK SONG TRACK L R2 R1<br />

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16<br />

4 Start/Stop Recording<br />

Record the track(s) in the same way as steps 5-7 for Quick Recording.<br />

Since the recorded accompaniment data is recorded on each accompaniment<br />

track, it can be edited using the Song Edit function (page 97).<br />

■ About the Recording with the Digital Effects Applied<br />

Only one type of each of the Digital Effects, Reverb, Chorus, DSP and Multi Effect<br />

(PSR-730) can be set at one time. Be aware of the following facts, especially when<br />

recording a song with different effects applied to the different tracks.<br />

A Reverb type and Chorus type effects can be set and recorded independently for<br />

each of the 16 tracks. However, only the latest settings made (one each) will be<br />

effective if several effects are used in a song (the latest setting priority).<br />

[EX.] While the panel REVERB button is turned on:<br />

1. Select the Hall 1 (Reverb) for the Accompaniment track, and record the Accompaniment<br />

track for ten measures from the beginning.<br />

2. Start recording the keyboard (R1) track with the Hall 1 (Reverb) selected from the<br />

beginning and then change the effect type to Room 1 (Reverb) respectively from<br />

the fifth measure through the end.<br />

When you play back the song recorded as above, the first four measures will be<br />

played back with the Hall 1 applied to both the Accompaniment track and<br />

keyboard (R1) track, and the remaining six measures, from fifth through the end,<br />

with the Room 1 applied to both tracks. The effect types set for the Accompaniment<br />

track are replaced with the latest settings. Only the Depth for each track<br />

remains the same.<br />

SPLIT<br />

DUAL<br />

• You can also use Rehearsal<br />

Mode to practice<br />

before recording<br />

when doing Multi Recording.

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