7918KB - Yamaha
7918KB - Yamaha
7918KB - Yamaha
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Song Recording<br />
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90<br />
The harmony notes (type 7–16) can be recorded to the tracks 6–8. To record<br />
harmony notes, first turn Harmony on and then press the TRACK buttons numbered<br />
6–8 to select 6–8 tracks for recording.<br />
HARMONY<br />
ACCOMPANIMENT<br />
ON / OFF<br />
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16<br />
001 213 337 391 259 434 468 442 471 216 252 213 213 213 213 213<br />
RHYTHM<br />
1<br />
RHYTHM BASS CHORD CHORD PAD PHRASE PHRASE MELODY MELODY MELODY MELODY ACMP VOICE VOICE VOICE<br />
2 1 2<br />
1 2<br />
1 2 3 4 L R2 R1<br />
ACCOMPANIMENT TRACK SONG TRACK L R2 R1<br />
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16<br />
4 Start/Stop Recording<br />
Record the track(s) in the same way as steps 5-7 for Quick Recording.<br />
Since the recorded accompaniment data is recorded on each accompaniment<br />
track, it can be edited using the Song Edit function (page 97).<br />
■ About the Recording with the Digital Effects Applied<br />
Only one type of each of the Digital Effects, Reverb, Chorus, DSP and Multi Effect<br />
(PSR-730) can be set at one time. Be aware of the following facts, especially when<br />
recording a song with different effects applied to the different tracks.<br />
A Reverb type and Chorus type effects can be set and recorded independently for<br />
each of the 16 tracks. However, only the latest settings made (one each) will be<br />
effective if several effects are used in a song (the latest setting priority).<br />
[EX.] While the panel REVERB button is turned on:<br />
1. Select the Hall 1 (Reverb) for the Accompaniment track, and record the Accompaniment<br />
track for ten measures from the beginning.<br />
2. Start recording the keyboard (R1) track with the Hall 1 (Reverb) selected from the<br />
beginning and then change the effect type to Room 1 (Reverb) respectively from<br />
the fifth measure through the end.<br />
When you play back the song recorded as above, the first four measures will be<br />
played back with the Hall 1 applied to both the Accompaniment track and<br />
keyboard (R1) track, and the remaining six measures, from fifth through the end,<br />
with the Room 1 applied to both tracks. The effect types set for the Accompaniment<br />
track are replaced with the latest settings. Only the Depth for each track<br />
remains the same.<br />
SPLIT<br />
DUAL<br />
• You can also use Rehearsal<br />
Mode to practice<br />
before recording<br />
when doing Multi Recording.