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The Golden Bough (Third Edition, Vol. 7 of 12) - Mirrors

The Golden Bough (Third Edition, Vol. 7 of 12) - Mirrors

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8 <strong>The</strong> <strong>Golden</strong> <strong>Bough</strong> (<strong>Third</strong> <strong>Edition</strong>, <strong>Vol</strong>. 7 <strong>of</strong> <strong>12</strong>)Dionysus, thegod <strong>of</strong> the vine,originally aThracian deity.the transient glory <strong>of</strong> the golden corn, the passing splendour <strong>of</strong>the purple grapes. Year by year in his own beautiful land hebeheld, with natural regret, the bright pomp <strong>of</strong> summer fadinginto the gloom and stagnation <strong>of</strong> winter, and year by year hehailed with natural delight the outburst <strong>of</strong> fresh life in spring.Accustomed to personify the forces <strong>of</strong> nature, to tinge her coldabstractions with the warm hues <strong>of</strong> imagination, to clothe hernaked realities with the gorgeous drapery <strong>of</strong> a mythic fancy, hefashioned for himself a train <strong>of</strong> gods and goddesses, <strong>of</strong> spirits andelves, out <strong>of</strong> the shifting panorama <strong>of</strong> the seasons, and followedthe annual fluctuations <strong>of</strong> their fortunes with alternate emotions<strong>of</strong> cheerfulness and dejection, <strong>of</strong> gladness and sorrow, whichfound their natural expression in alternate rites <strong>of</strong> rejoicing andlamentation, <strong>of</strong> revelry and mourning. A consideration <strong>of</strong> some<strong>of</strong> the Greek divinities who thus died and rose again from thedead may furnish us with a series <strong>of</strong> companion pictures to setside by side with the sad figures <strong>of</strong> Adonis, Attis, and Osiris. Webegin with Dionysus.<strong>The</strong> god Dionysus or Bacchus is best known to us as apersonification <strong>of</strong> the vine and <strong>of</strong> the exhilaration produced bythe juice <strong>of</strong> the grape. 1 His ecstatic worship, characterised by1 On Dionysus in general, see L. Preller, Griechische Mythologie, 4 i. 659sqq.; Fr. Lenormant, s.v. “Bacchus,” in Daremberg and Saglio's Dictionnairedes Antiquités Grecques et Romaines, i. 591 sqq.; Voigt and Thraemer, s.v.“Dionysus,” in W. H. Roscher's Lexikon der griech. u. röm. Mythologie, i.1029 sqq.; E. Rohde, Psyche 3 (Tübingen and Leipsic, 1903), ii. 1 sqq.; MissJ. E. Harrison, Prolegomena to the Study <strong>of</strong> Greek Religion, Second <strong>Edition</strong>(Cambridge, 1908), pp. 363 sqq.; Kern, s.v. “Dionysus,” in Pauly-Wissowa'sReal-Encyclopädie der classischen Altertumswissenschaft, v. 1010 sqq.; M. P.Nilsson, Griechische Feste von religiöser Bedeutung (Leipsic, 1906), pp. 258sqq.; L. R. Farnell, <strong>The</strong> Cults <strong>of</strong> the Greek States, v. (Oxford, 1909) pp. 85sqq. <strong>The</strong> epithet Bromios bestowed on Dionysus, and his identification withthe Thracian and Phrygian deity Sabazius, have been adduced as evidence thatDionysus was a god <strong>of</strong> beer or <strong>of</strong> other cereal intoxicants before he became agod <strong>of</strong> wine. See W. Headlam, in Classical Review, xv. (1901) p. 23; Miss J.E. Harrison, Prolegomena to the Study <strong>of</strong> Greek Religion, pp. 414-426.

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