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The Golden Bough (Third Edition, Vol. 7 of 12) - Mirrors

The Golden Bough (Third Edition, Vol. 7 of 12) - Mirrors

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242 <strong>The</strong> <strong>Golden</strong> <strong>Bough</strong> (<strong>Third</strong> <strong>Edition</strong>, <strong>Vol</strong>. 7 <strong>of</strong> <strong>12</strong>)[205]kind <strong>of</strong> crop cultivated by the Indians: the wild goose stood forthe maize, the wild swan for the gourds, and the wild duck forthe beans. So when the feathered messengers <strong>of</strong> the Old Womanbegan to arrive in spring the Indians celebrated the corn-medicinefestival <strong>of</strong> the women. Scaffolds were set up, on which the peoplehung dried meat and other things by way <strong>of</strong> <strong>of</strong>ferings to the OldWoman; and on a certain day the old women <strong>of</strong> the tribe, asrepresentatives <strong>of</strong> the Old Woman who Never Dies, assembledat the scaffolds each bearing in her hand an ear <strong>of</strong> maize fastenedto a stick. <strong>The</strong>y first planted these sticks in the ground, thendanced round the scaffolds, and finally took up the sticks again intheir arms. Meanwhile old men beat drums and shook rattles asa musical accompaniment to the performance <strong>of</strong> the old women.Further, young women came and put dried flesh into the mouths<strong>of</strong> the old women, for which they received in return a grain <strong>of</strong>the consecrated maize to eat. Three or four grains <strong>of</strong> the holycorn were also placed in the dishes <strong>of</strong> the young women, tobe afterwards carefully mixed with the seed-corn, which theywere supposed to fertilise. <strong>The</strong> dried flesh hung on the scaffoldbelonged to the old women, because they represented the OldWoman who Never Dies. A similar corn-medicine festival washeld in autumn for the purpose <strong>of</strong> attracting the herds <strong>of</strong> buffaloesand securing a supply <strong>of</strong> meat. At that time every woman carriedin her arms an uprooted plant <strong>of</strong> maize. <strong>The</strong>y gave the name<strong>of</strong> the Old Woman who Never Dies both to the maize and tothose birds which they regarded as symbols <strong>of</strong> the fruits <strong>of</strong> theearth, and they prayed to them in autumn saying, “Mother, havepity on us! send us not the bitter cold too soon, lest we havenot meat enough! let not all the game depart, that we may havesomething for the winter!” In autumn, when the birds were flyingsouth, the Indians thought that they were going home to the OldWoman and taking to her the <strong>of</strong>ferings that had been hung up on

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