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The Golden Bough (Third Edition, Vol. 7 of 12) - Mirrors

The Golden Bough (Third Edition, Vol. 7 of 12) - Mirrors

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216 <strong>The</strong> <strong>Golden</strong> <strong>Bough</strong> (<strong>Third</strong> <strong>Edition</strong>, <strong>Vol</strong>. 7 <strong>of</strong> <strong>12</strong>)[182]body; he sometimes appeals to it to return: ‘Hither, hither, bird<strong>of</strong> my soul.’ Or again, if a Malay lover wishes to influence themind <strong>of</strong> a girl, he may seek to obtain control <strong>of</strong> her sĕmangat,for he believes that this spirit <strong>of</strong> active and vigorous life mustquit the body when the body sleeps and so be liable to captureby the use <strong>of</strong> magic arts. It is, however, in the ceremoniesconnected with the so-called ‘spirit <strong>of</strong> the rice-crops’ that thepeculiar characteristics <strong>of</strong> the sĕmangat come out most clearly.<strong>The</strong> Malay considers it essential that the spirit <strong>of</strong> life should notdepart from the rice intended for next year's sowing as otherwisethe dead seed would fail to produce any crop whatever. He,therefore, approaches the standing rice-crops at harvest-time ina deprecatory manner; he addresses them in endearing terms; he<strong>of</strong>fers propitiatory sacrifices; he fears that he may scare away thetimorous ‘bird <strong>of</strong> life’ by the sight <strong>of</strong> a weapon or the least sign <strong>of</strong>violence. He must reap the seed-rice, but he does it with a knife <strong>of</strong>peculiar shape, such that the cruel blade is hidden away beneaththe reaper's fingers and does not alarm the ‘soul <strong>of</strong> the rice.’ Whenonce the seed-rice has been harvested, more expeditious reapingtoolsmay be employed, since it is clearly unnecessary to retainthe spirit <strong>of</strong> life in grain that is only intended for the cookingpot.Similar rites attend all the processes <strong>of</strong> rice-cultivation—thesowing and the planting-out as well as the harvest,—for at each<strong>of</strong> these stages there is a risk that the vitality <strong>of</strong> the crop may beruined if the bird <strong>of</strong> life is scared away. In the language used bythe high-priests <strong>of</strong> these very ancient ceremonies we constantlyfind references to Sri (the Hindu Goddess <strong>of</strong> the Crops), to thefruit <strong>of</strong> the Tree <strong>of</strong> Knowledge, and to Adam who, according toMoslem tradition, was the first planter <strong>of</strong> cereals;—many <strong>of</strong> thesereferences only represent the attempts <strong>of</strong> the conservative Malaysto make their old religions harmonize with later beliefs. Beneathsuccessive layers <strong>of</strong> religious veneer, we see the animism <strong>of</strong>the old Indonesians, the theory <strong>of</strong> a bird-spirit <strong>of</strong> life, and thecharacteristic view that the best protection against evil lies in

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