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«Symposion» and «Philanthropia» in Plutarch - Bad Request ...

«Symposion» and «Philanthropia» in Plutarch - Bad Request ...

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The place of <strong>Plutarch</strong> <strong>in</strong> the literary genre of Symposiumethical outlook, we may safely assume that he looked with disgust at that sortof feasts <strong>and</strong> that k<strong>in</strong>d of literature. It therefore appears as probable that hisloath<strong>in</strong>g for such depravation was actually his ma<strong>in</strong> motive for compos<strong>in</strong>ga quite different sort of symposium. It was certa<strong>in</strong>ly natural for him todecide upon writ<strong>in</strong>g a symposium with participants <strong>in</strong>terested <strong>in</strong> philosophicquestions, <strong>and</strong> differ<strong>in</strong>g among themselves <strong>in</strong> character <strong>and</strong> outlook, so as tobr<strong>in</strong>g about a varied, <strong>in</strong>terest<strong>in</strong>g conversation. In short, <strong>Plutarch</strong> wanted towrite a Socratic symposium 32 . For his Symposium of the Seven Wise Men he nodoubt used Xenophon’s Symposium as a model. Plato’s extraord<strong>in</strong>ary work didnot match his purpose. His choice of the Seven Wise Men as participants atthe banquet shows his <strong>in</strong>tention, to compose a symposium that would conta<strong>in</strong>a large range of topics <strong>and</strong> variegated discussions. The result was a work ofvery mixed content, <strong>and</strong> with a dist<strong>in</strong>ct aim <strong>and</strong> direction. <strong>Plutarch</strong> makesthis quite clear from the beg<strong>in</strong>n<strong>in</strong>g. He assigns the first two chapters to thedeclaration of his <strong>in</strong>tention.The story is well-known: Peri<strong>and</strong>er, the tyrant of Cor<strong>in</strong>th, has <strong>in</strong>vitedthe Seven <strong>and</strong> many more to a banquet. Three of these, Thales, Neiloxenus ofNaucratis <strong>and</strong> Diocles the narrator, are on their way to the place on foot, s<strong>in</strong>ceThales has dismissed the fashionable carriage placed at their disposition by thehost. The walk thus affords them the opportunity of free <strong>and</strong> undisturbed talk.The ma<strong>in</strong> topic turns out to be about the despotic rule of k<strong>in</strong>gs <strong>and</strong> tyrants, arather surpris<strong>in</strong>g one for <strong>in</strong>vited guests on their way to a host who is a rul<strong>in</strong>gtyrant. Thales is very outspoken <strong>and</strong> says that he regards Solon as very wise <strong>in</strong>refus<strong>in</strong>g to be a tyrant. And he adds that Peri<strong>and</strong>er, who is afflicted with thedisease of despotism, is actually mak<strong>in</strong>g fair progress towards recovery nowthat he is br<strong>in</strong>g<strong>in</strong>g about gather<strong>in</strong>gs with men of sense.But then it occurs to Thales that it is not appropriate to talk only aboutwhat can be dem<strong>and</strong>ed of the host. There should also be some preparationson the part of the guests. He then delivers a very <strong>Plutarch</strong>an speech on how aguest should put his character <strong>in</strong> order <strong>and</strong> be prepared to take part <strong>in</strong> seriousor humorous conversations, <strong>and</strong> to listen <strong>and</strong> to talk on any topic that happensto be suggested.With these straightforward prelim<strong>in</strong>aries <strong>Plutarch</strong> sets the tone for thesymposion. Thales, the only one of the Seven who is a philosopher, is the naturalmouthpiece of <strong>Plutarch</strong>. He is to play a prom<strong>in</strong>ent part <strong>in</strong> the conversation,always express<strong>in</strong>g wise <strong>and</strong> sensible thoughts, for example when he reprovesthe young Alexidemus, who angrily compla<strong>in</strong>s of hav<strong>in</strong>g been assigned anignom<strong>in</strong>ious place at table. Thales censures this behaviour, tell<strong>in</strong>g him that hiscompla<strong>in</strong>t means object<strong>in</strong>g to his neighbour rather than the host. But <strong>Plutarch</strong>is ironic at his own expense when he makes the young man retort:“But I observe that you wise men are also eager for be<strong>in</strong>g honoured!”.32Plu., Quaest. conv. 686 C-D explicitly uses this term to denote a symposion whereconversation on topics of philosophic <strong>in</strong>quiry is essential.11

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