Great-Bliss-Tantric-Sex-and-the-Path-to-Inner-Awakening

32 (32). Her hair no longer in a top-knot, she takes a squatting position.
madhyama cūlakaṃ dattvā tyakta padmotkaṭāsanām
He moves her arms to his shoulders, the same posture as the goddess.
devī bāhu dvayam iva tasyā bāhu dvayaṃ caret
Having already made himself look like the god, she moves in closer and he begins to position his lover in
the squatting posture of the goddess, and she holds it either until the end of the end of verse 111, or for as
long as is comfortable.
Drawing the Maṇḍala
33 (33). Approaching her yoni, as the source of all appearances,
tasyā dharmodayāpanne kṛtvā vartula maṇḍalaṃ
he draws a maṇḍala, with the finger of his left hand.
vāma karāmṛtāṅgulyā kuṅkumai rakta candanaiḥ
He uses the ring finger of his left hand to draw a maṇḍala circle around her yoni in a counterclockwise
direction with red wine paste. Within the circle he draws a double triangle, visualized as a threedimensional
tetrahedron, using saffron powder for the upward triangle and red wine paste for the
downward triangle.
34 (34). Forming the Dharmodaya, her yoni as a maṇḍala,
tadanu dharmodayākāraṃ tatreiva maṇḍalaṃ caret
marked with the maṇḍala mantra, they recite the mantra.
etan maṇḍala mantraṃ tu mantroddhāre ’sti bhāṣitam
The maṇḍala mantra is eṃ āṃ rīṃ raṃ brīṃ, visualized as an inward-facing circle counter-clockwise
within the maṇḍala circle. Recite the mantra 3x together as you focus on visualizing the maṇḍala.
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