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Great-Bliss-Tantric-Sex-and-the-Path-to-Inner-Awakening

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He uses literally his “nectar finger,” <strong>the</strong> ring finger of his left h<strong>and</strong>, <strong>to</strong> draw a maṇḍala circle<br />

around her yoni. The practices in this verse are easier <strong>to</strong> perform if <strong>the</strong> woman has shaved her<br />

pubic area, an ancient Indian cus<strong>to</strong>m. The ring finger symbolizes <strong>the</strong> female essence. Using <strong>the</strong><br />

left fingers is a way of intentionally inverting <strong>the</strong> Indian cultural principle that <strong>the</strong> left side is<br />

impure <strong>and</strong> <strong>the</strong> right side is pure <strong>to</strong> see all appearances as pure, <strong>and</strong> honoring <strong>the</strong> female<br />

principle symbolized by <strong>the</strong> left side.<br />

The male practitioner first draws <strong>the</strong> maṇḍala of a circle, counter-clockwise, <strong>the</strong> direction of<br />

feminine power. He <strong>the</strong>n draws a double triangle within <strong>the</strong> circle on <strong>the</strong> female practitioner’s<br />

yoni. Draw <strong>the</strong> downward triangle first, <strong>the</strong>n <strong>the</strong> upward triangle. The double triangle is<br />

visualized as a three-dimensional tetrahedron.<br />

The Sanskrit verses call for saffron (kuṃkuma) <strong>and</strong> red s<strong>and</strong>alwood (c<strong>and</strong>ana) for marking <strong>the</strong><br />

body. Turmeric (haldi) is an inexpensive substitute for saffron, <strong>and</strong> red wine (madya) mixed with<br />

flour, especially for this exercise, is a much safer substitute for red s<strong>and</strong>alwood.<br />

Verse 34: The seed syllables are visualized within <strong>the</strong> circle, resting on <strong>to</strong>p of it, equally spaced<br />

from each o<strong>the</strong>r. Because <strong>the</strong> practice derives from <strong>the</strong> Yoginī Tantras, <strong>the</strong> seed syllables are<br />

arranged counter-clockwise, <strong>and</strong> face <strong>the</strong> male practitioner. The mantra blesses her yoni.<br />

Verse 35: The pleasure-sound sīt is an onoma<strong>to</strong>poeic hissing sound of pleasure, common in<br />

India. It is used here <strong>to</strong> finish <strong>the</strong> round of mantra recitation.<br />

Generating <strong>the</strong> Four Immeasurables – Brahma Vihara<br />

Verse 36a: The Four Immeasurables, love (maitri), compassion (karuṇa), joy (mudita) <strong>and</strong><br />

equanimity (upekṣa), are from <strong>the</strong> Common Vehicle, <strong>and</strong> reciting <strong>the</strong>m sets <strong>the</strong> emotions in good<br />

qualities.<br />

The Emptiness Mantra – Śūnyatā Mantra<br />

Verse 36b: The Emptiness Mantra clears your mind of discursive thoughts, <strong>and</strong> creates an open<br />

space for pristine awareness <strong>to</strong> dawn within you. When you recite <strong>the</strong> Emptiness Mantra, you are<br />

not dissolving <strong>the</strong> world in<strong>to</strong> nothing, nor are you purifying any thing. You are dissolving your<br />

conceptual stains of subject <strong>and</strong> object that prevent you from seeing reality clearly. All objects<br />

that appear <strong>to</strong> you are perceived as empty of self-nature from <strong>the</strong> view of emptiness, <strong>and</strong><br />

eventually perceived as forms of primordial awareness arising from <strong>the</strong> Clear Light.<br />

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