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Padmanarteśvara<br />

Padmanarteśvara (Lord Lotus Dancer) is Vajravilāsinī’s<br />

devoted consort. H<strong>and</strong>some <strong>and</strong> youthful, he delights in<br />

her every move. He is an erotic emanation of <strong>the</strong> Lord of<br />

Compassion, who goes by many names, Avalokiteśvara<br />

(Lord who Looks On), Lokanātha (Lord of <strong>the</strong> World),<br />

Avalokita (Looking On), Lokeśvara (Lord of <strong>the</strong> World),<br />

<strong>and</strong> Mahākaruṇika (<strong>Great</strong> Compassionate One), <strong>and</strong> whose<br />

famous mantra is oṃ maṇi padme hūṃ (oṃ jewel lotus<br />

hūṃ). As Padmanarteśvara, he also is known by <strong>the</strong> names<br />

Jina Sāgara (Ocean of Vic<strong>to</strong>ry), <strong>and</strong> Gyalwa Gyamtso<br />

(Tib., sometimes spelled Gyalwa Gyatso; Ocean of<br />

Vic<strong>to</strong>ry). He is <strong>the</strong> “Lord of Dance,” similar <strong>to</strong> <strong>the</strong> Hindu<br />

god Śiva whose dances create <strong>and</strong> destroy <strong>the</strong> universe.<br />

The first known reference <strong>to</strong> Padmanarteśvara is in an<br />

early Yoginī Tantra called <strong>the</strong> Sarva Buddha Sama Yoga<br />

Ḍākinī Samvara Tantra (The All Buddha Yoga of<br />

Equipoise Ḍākinī Vow Tantra), which may date from <strong>the</strong><br />

mid-700s. Padmanarteśvara is also found in <strong>the</strong><br />

Cakrasamvara Tantra as a member of Cakrasamvara’s<br />

maṇḍala retinue, <strong>and</strong> <strong>the</strong> leader of a clan of impassioned yoginīs. Some o<strong>the</strong>r Tantras where he is<br />

present include <strong>the</strong> Lokeśvara Kalpa (The Ritual of <strong>the</strong> Lord of <strong>the</strong> World), <strong>the</strong> Ḍākinī Vajra<br />

Pañjara Tantra (The Ḍākinī Adamantine Teachings Tantra), <strong>and</strong> <strong>the</strong> Ḍāka Arnava Tantra (The<br />

Ocean of Ḍākas Tantra). A subset of <strong>the</strong> Yoginī Tantras that focus on transforming passion is<br />

named after him.<br />

The early cult of Padmanarteśvara was eventually overshadowed – Amoghapāśa (Unfailing<br />

Lasso) became <strong>the</strong> principle <strong>Tantric</strong> form of Avalokiteśvara worshipped in India, <strong>and</strong> <strong>the</strong><br />

wrathful deity cults proved more popular. While Śabara’s form of Padmanarteśvara is red <strong>and</strong><br />

two-armed, a later <strong>and</strong> more popular form of <strong>the</strong> deity by <strong>the</strong> Siddhā Siddharājñī (c. 1100s), who<br />

established her own lineage of this practice, is red <strong>and</strong> four-armed, <strong>and</strong> his consort is named<br />

Guhyajñānā (Secret Wisdom), who is essentially identical <strong>to</strong> Vajravilāsinī. In Nepal, <strong>the</strong> role of<br />

Padmanarteśvara is incorporated in<strong>to</strong> Avalokiteśvara, who is honored <strong>to</strong>day as both <strong>the</strong> Lord of<br />

Compassion <strong>and</strong> an erotic fertility god. O<strong>the</strong>r forms of Padmanarteśvara <strong>and</strong> his consort were<br />

brought <strong>to</strong> Tibet <strong>and</strong> widely practiced under <strong>the</strong> name Gyalwa Gyamtso.<br />

Images of <strong>the</strong> Deities<br />

No images from Asia of <strong>the</strong> two-armed form of Vajravilāsinī or Padmanarteśvara are known <strong>to</strong><br />

exist, <strong>and</strong> no images of <strong>the</strong>se deities in any form are known <strong>to</strong> survive from India. Only one early<br />

sculpture is known from Nepal, of an eighteen-armed form of Padmanarteśvara; it follows <strong>the</strong><br />

imagery of one of <strong>the</strong> sādhanas in The Garl<strong>and</strong> of Sādhanas. A few Tibetan works include<br />

images of <strong>the</strong> four-armed form of Padmanarteśvara with his consort Guhyaḍākinī.<br />

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