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Philip II and Alexander the Great: Father and Son ... - Historia Antigua

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126 AFTER PHILIP AND ALEXANDER<br />

Successor. Additionally, as <strong>the</strong> Hellenic-Macedonian immigrants of<br />

Alex<strong>and</strong>ria, most of whom had ei<strong>the</strong>r served under him as soldiers, or<br />

were familiar with his career, constituted <strong>the</strong> primary audience for<br />

Ptolemy’s legitimating claims, he could not afford to disregard <strong>the</strong>ir<br />

expectations regarding his right to rule. 20<br />

Alex<strong>and</strong>er penetrated <strong>the</strong> everyday lives of <strong>the</strong> ordinary citizens of<br />

Alex<strong>and</strong>ria from early on. To begin with, a founder cult in honor of<br />

Alex<strong>and</strong>er as Ktistēs (<strong>the</strong> Founder) was inaugurated in Alex<strong>and</strong>ria<br />

possibly even during Alex<strong>and</strong>er’s lifetime <strong>and</strong> persisted until well<br />

into <strong>the</strong> Christian era. 21 Distinct from <strong>the</strong> state cult instituted by<br />

Ptolemy I around <strong>the</strong> turn of <strong>the</strong> fourth century B.C., 22 <strong>the</strong> founder<br />

cult in Alex<strong>and</strong>ria seems to have echoed <strong>the</strong> traditions of founder<br />

worship that were a typical feature of Hellenic colonial foundations.<br />

The founder cult was very closely integrated with <strong>the</strong> formation of<br />

<strong>the</strong> civic identity of new settlements. It provided a common “past” for<br />

<strong>the</strong> new city of which Alex<strong>and</strong>er, as <strong>the</strong> founder, was to hold center<br />

place. 23 If one accepts Pseudo-Callis<strong>the</strong>nes, Alex<strong>and</strong>er was worshipped<br />

as Ktistēs in especially dedicated sanctuaries but also in<br />

a household environment. 24 The cult legend of <strong>the</strong> foundation of<br />

Alex<strong>and</strong>ria is important in this context as it provides <strong>the</strong> setting<br />

through which Alex<strong>and</strong>er’s presence penetrated <strong>the</strong> domestic cultic<br />

life of <strong>the</strong> Alex<strong>and</strong>rians. According to <strong>the</strong> legend, after <strong>the</strong> slaying of<br />

<strong>the</strong> great serpent Agathos Daimon (“Good Fortune/Spirit”) that<br />

appeared during <strong>the</strong> foundation of <strong>the</strong> city, Alex<strong>and</strong>er built a shrine<br />

to commemorate his feat. Out of <strong>the</strong> shrine doors, however, <strong>the</strong>re<br />

emerged myriads of o<strong>the</strong>r serpents which each found <strong>the</strong>ir way into<br />

<strong>the</strong> newly-built houses of <strong>the</strong> Alex<strong>and</strong>rians. The soothsayers present<br />

decreed that <strong>the</strong>se should be worshipped as good spirits ( ἀγαθοὶ<br />

δαίμονες). 25 Through this association with Agathos Daimon, <strong>the</strong> fi gure<br />

of Alex<strong>and</strong>er became intertwined with <strong>the</strong> good fortune <strong>and</strong> spirit<br />

of <strong>the</strong> city <strong>and</strong> as such assumed duties of protection. According to<br />

<strong>the</strong> description of Ammianus Marcellinus, <strong>the</strong> temple to <strong>the</strong> Agathos<br />

Daimon in Alex<strong>and</strong>ria was still st<strong>and</strong>ing at <strong>the</strong> crossroads of <strong>the</strong> two<br />

main avenues of <strong>the</strong> city in <strong>the</strong> fourth century A.D. This same<br />

account testifi es that even at this late date <strong>the</strong> Alex<strong>and</strong>rians were very<br />

protective toward it. 26 In addition, <strong>the</strong> large number of statuettes<br />

representing Alex<strong>and</strong>er wearing <strong>the</strong> aegis (<strong>the</strong> so-called Alex<strong>and</strong>er<br />

Aigiochos type) recovered from Alex<strong>and</strong>ria, Ptolemais, <strong>and</strong> elsewhere<br />

in <strong>the</strong> Egyptian chora, <strong>and</strong> which date from throughout <strong>the</strong> Hellenic-<br />

Roman period, seem to support <strong>the</strong> possibility that a domestic cult of<br />

Alex<strong>and</strong>er as <strong>the</strong> founder of Alex<strong>and</strong>ria was prominent. 27 Although<br />

this view has been challenged by Stewart, who favors a dynastic cult<br />

context for <strong>the</strong>se statuettes as opposed to a domestic one, <strong>the</strong>ir small

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