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Philip II and Alexander the Great: Father and Son ... - Historia Antigua

Philip II and Alexander the Great: Father and Son ... - Historia Antigua

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198 RECEPTION OF FATHER AND SON<br />

<strong>and</strong> proto-Roman self. “It is said that once upon a time” ( legetai pote),<br />

<strong>the</strong> youthful Alex<strong>and</strong>er had a conversation with his fa<strong>the</strong>r about<br />

Homer in a very manly <strong>and</strong> lofty manner ( mala <strong>and</strong>rei ōs kai megalophronōs),<br />

a conversation which was practically also about kingship<br />

(schedon ti . . . peri basileias) ( Or. 2.1). <strong>Philip</strong> wants to know why his<br />

son ignores all poets besides Homer; Alex<strong>and</strong>er answers that Homer<br />

is suitable for kings <strong>and</strong> those who wish to rule <strong>the</strong> world. By<br />

emphasizing <strong>the</strong> military aspects of <strong>the</strong> most admired of Hellenic<br />

poets, <strong>the</strong> answer attaches <strong>the</strong> Alex<strong>and</strong>er-fi gure to Trajan through<br />

cultural philhellenism <strong>and</strong> military expansionism. Alex<strong>and</strong>er’s<br />

rationale for appreciating Homer above all o<strong>the</strong>r poets also refl ects<br />

Roman Stoic ideals of kingship, which are more fully embodied by<br />

Heracles/Trajan in Oration 1, where we witness him being led to perfection<br />

with <strong>the</strong> help of Hermes/Dio. 29<br />

As <strong>the</strong> conversation progresses, <strong>Philip</strong> frequently reacts to<br />

Alex<strong>and</strong>er in terms of affection or delight—for example, 8: panu . . .<br />

ēgasthē (he admired him greatly); 13 <strong>and</strong> 17: gelasas (laughing). At<br />

<strong>the</strong> end, he is “delighted” by his son (79: hēs<strong>the</strong>is). Alex<strong>and</strong>er’s<br />

reactions to his fa<strong>the</strong>r, on <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, are more muted, <strong>and</strong> in one<br />

instance slightly intimidating: in 16 he smiles quietly ( hēsuchēi<br />

meidiasas) at his fa<strong>the</strong>r after a slightly heated exchange; in 29, he<br />

glares menacingly at him like a lion: gorgon emblepsas h ōsper le ōn.<br />

The lion image is particularly interesting: while on one level it clearly<br />

associates Alex<strong>and</strong>er with <strong>the</strong> courage of his ancestral Heracles,<br />

within <strong>the</strong> context of <strong>the</strong> Orations (<strong>and</strong> even beyond Dio) it can denote<br />

a certain unruliness in Alex<strong>and</strong>er’s character that Dio would reasonably<br />

want Trajan to avoid. 30<br />

There is a moment when Alex<strong>and</strong>er connects his ambitions to his<br />

fa<strong>the</strong>r’s (15). <strong>Philip</strong> asks his son whe<strong>the</strong>r he would like to have been<br />

an Agamemnon or Achilles, to which Alex<strong>and</strong>er replies that he wants<br />

to go far beyond <strong>the</strong>se, for <strong>Philip</strong> is no less worthy than Peleus,<br />

Macedonia no less powerful than Phthia, Mt. Olympus no less famous<br />

than Pelion, <strong>and</strong> his education by Aristotle no less than Achilles’ by<br />

Phoenix. In making this extended comparison between himself <strong>and</strong><br />

Achilles he highlights <strong>Philip</strong>’s support role in his own glory—<strong>and</strong> it<br />

is at this point that <strong>Philip</strong> momentarily asserts his parental authority.<br />

When Alex<strong>and</strong>er declares that, unlike Achilles, he could never submit<br />

to <strong>the</strong> authority of a mortal king, <strong>Philip</strong>, “getting almost angry”<br />

(mikrou paroxun<strong>the</strong>is), exclaims: “But you are ruled by me as king<br />

(all’ hup’ emou ge basileu ēi)!” Alex<strong>and</strong>er’s quick response is that he<br />

listens to <strong>Philip</strong> as a “fa<strong>the</strong>r” <strong>and</strong> not as a “king” (16–18). This seems<br />

to soo<strong>the</strong> his fa<strong>the</strong>r’s ego, but does not negate <strong>the</strong> force of <strong>the</strong> young<br />

prince’s initial comment on who his true authority is: god. By having

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