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Philip II and Alexander the Great: Father and Son ... - Historia Antigua

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208 RECEPTION OF FATHER AND SON<br />

This is <strong>the</strong> task for Memory, whenever you are going to die <strong>and</strong><br />

go down to <strong>the</strong> well-built house of Hades. There is a spring on<br />

<strong>the</strong> right, <strong>and</strong> a white/shining cypress st<strong>and</strong>s beside it. Going<br />

down to <strong>the</strong>re <strong>the</strong> souls of <strong>the</strong> dead are refreshed ( psuchai<br />

nekuōn psuchontai). Do not go near this spring! Fur<strong>the</strong>r on you<br />

will fi nd cold water pouring forth from <strong>the</strong> lake of Memory.<br />

There are guards above it ( ephuper<strong>the</strong>n). They will ask you with<br />

clever minds why you are inquiring into <strong>the</strong> darkness of gloomy<br />

Hades. Tell <strong>the</strong>m: “I am <strong>the</strong> son of Earth <strong>and</strong> starry Heaven.” I<br />

am dry with thirst <strong>and</strong> I am dying. But quickly give me <strong>the</strong> cold<br />

water of <strong>the</strong> lake of Memory to drink. And <strong>the</strong>y will speak to <strong>the</strong><br />

underworld king. And <strong>the</strong>y will allow you to drink from <strong>the</strong><br />

lake of Memory. And you as well, after drinking, will travel<br />

along <strong>the</strong> sacred road taken by <strong>the</strong> o<strong>the</strong>r glorious initiates <strong>and</strong><br />

bacchants.<br />

L1 Bernabé <strong>and</strong> Jiménez San Cristóbal<br />

Let us compare <strong>the</strong> motifs in this <strong>and</strong> <strong>the</strong> o<strong>the</strong>r tablets with those of<br />

<strong>the</strong> Romance.<br />

1. Underworld Context<br />

The underworld context of <strong>the</strong> tablets is self-evident. They were given<br />

to <strong>the</strong> dead to take with <strong>the</strong>m into <strong>the</strong> next world. They speak to <strong>the</strong>ir<br />

wearers as <strong>the</strong>y are on <strong>the</strong> point of dying (L1–2), <strong>and</strong> speak of <strong>the</strong>m<br />

being in Hades (L1–4, L16l) or below <strong>the</strong> earth (L7a–b). Hades <strong>the</strong> god<br />

is made to preside over <strong>the</strong> realm ei<strong>the</strong>r under this name (L1–4), or in<br />

<strong>the</strong> guise of “underworld king” (L1), “Pluto” or simply “master”<br />

(L15a), as is Persephone, ei<strong>the</strong>r under this name (L7a–L8, L14–15,<br />

L16b, L16k) or under <strong>the</strong> title of “underworld queen” (L2) or “queen<br />

of <strong>the</strong> chthonic” (L9–10b). It is of particular interest for Alex<strong>and</strong>er’s<br />

adventure that some of <strong>the</strong> tablets lay emphasis upon <strong>the</strong> enveloping<br />

darkness of Hades (L2–3), or describe <strong>the</strong> soul’s entry into it as a forsaking<br />

of <strong>the</strong> light of <strong>the</strong> sun (L8). In <strong>the</strong> latter connection we may<br />

note that <strong>the</strong> Romance introduces Alex<strong>and</strong>er’s arrival in <strong>the</strong> L<strong>and</strong> of<br />

<strong>the</strong> Blessed with <strong>the</strong> phrase, “within two days we came to a place<br />

where <strong>the</strong> sun does not shine.”<br />

2. The State of Blessedness<br />

The condition in <strong>the</strong> underworld for which <strong>the</strong> tablet-bearers are<br />

heading is characterized by <strong>the</strong> word olbios, which can mean ei<strong>the</strong>r

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