Philip II and Alexander the Great: Father and Son ... - Historia Antigua
Philip II and Alexander the Great: Father and Son ... - Historia Antigua
Philip II and Alexander the Great: Father and Son ... - Historia Antigua
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200 RECEPTION OF FATHER AND SON<br />
Plutarch<br />
Plutarch’s view of statesmanship is, in general, essentially philosophical<br />
<strong>and</strong> ethical, although it is ra<strong>the</strong>r unusual to see him meld philosophy<br />
<strong>and</strong> politics to <strong>the</strong> degree that he does in <strong>the</strong> fi gure of Alex<strong>and</strong>er. 36<br />
Unlike Dio, who wrote under <strong>the</strong> constraints of Trajan’s potential readership,<br />
Plutarch is free to dive wholeheartedly into <strong>the</strong> process of creating<br />
his ideal Greco-Roman Alex<strong>and</strong>er. His subordination of <strong>Philip</strong> to<br />
Alex<strong>and</strong>er is also more complete.<br />
First <strong>the</strong>re is Plutarch’s set of rhetorical treatises, De Alex<strong>and</strong>ri<br />
Fortuna aut Virtute, <strong>the</strong> idealized Alex<strong>and</strong>er of which (as I have argued<br />
in detail elsewhere) 37 is a philosopher-of-action who melds <strong>the</strong> best of<br />
Greek culture, or paideia—which Plutarch confl ates here with philosophia—with<br />
<strong>the</strong> best of Roman imperial ideology. 38 Here no pietas is<br />
directed toward <strong>Philip</strong>—even when we are told that Alex<strong>and</strong>er taught<br />
<strong>the</strong> barbarians to reverence <strong>the</strong>ir parents <strong>and</strong> <strong>the</strong> gods (1.5). Indeed,<br />
<strong>the</strong> sweeping generalization of De Alex<strong>and</strong>ri Fortuna aut Virtute is<br />
such that <strong>the</strong> subordination of <strong>Philip</strong> is in fact totally impersonal. Like<br />
so many o<strong>the</strong>rs, <strong>Philip</strong> is, in <strong>the</strong> end, just ano<strong>the</strong>r non-Alex<strong>and</strong>er.<br />
At <strong>the</strong> outset, <strong>Philip</strong>’s war against <strong>the</strong> Greeks <strong>and</strong> <strong>the</strong> debt he left<br />
behind are unceremoniously lumped toge<strong>the</strong>r with all <strong>the</strong> o<strong>the</strong>r political<br />
problems—Macedonian, Greek, <strong>and</strong> barbarian—that Alex<strong>and</strong>er<br />
had to overcome as he acceded to <strong>the</strong> throne (1.3). At ano<strong>the</strong>r point,<br />
Plutarch criticizes <strong>Philip</strong> along with Dionysius of Sicily, Alex<strong>and</strong>er of<br />
Pherae, <strong>the</strong> Scythian Ateas, <strong>and</strong> Archelaus of Macedon for lacking<br />
philanthrōpia toward artists, which he considers to be among <strong>the</strong> virtues<br />
of a good ruler (2.1). Plutarch also symbolically strips <strong>Philip</strong> of<br />
his paternal claim, in a number of ways that recall Dio. In 1.4, we read<br />
that Alex<strong>and</strong>er had gained more knowledge from Aristotle than he<br />
had from <strong>Philip</strong>, recalling <strong>the</strong> fi nal passage of Dio’s Oration 2, but also<br />
making a more pointed statement against pure military might <strong>and</strong> in<br />
favor of paideia: “Alex<strong>and</strong>er crossed into Asia having much greater<br />
equipment from his teacher Aristotle than from his fa<strong>the</strong>r <strong>Philip</strong>.” His<br />
military art itself is credited not to <strong>Philip</strong> but to Heracles <strong>and</strong> Achilles<br />
in 2.2; his penchant for civilizing, to Heracles, Perseus, <strong>and</strong> Dionysus,<br />
<strong>the</strong> last of whom is named a progenitor. Alex<strong>and</strong>er is also said to have<br />
been created by “a god” (2.12), presumably Zeus—which is interesting<br />
considering <strong>the</strong> ambivalence Plutarch shows in <strong>the</strong> Life of<br />
Alex<strong>and</strong>er concerning <strong>the</strong> propag<strong>and</strong>a that claimed Zeus Ammon as<br />
Alex<strong>and</strong>er’s real fa<strong>the</strong>r. 39<br />
The reversal of hierarchy between fa<strong>the</strong>r <strong>and</strong> son is even more<br />
obvious in <strong>Philip</strong>’s moralizing <strong>and</strong> apologetic Life of Alex<strong>and</strong>er, where<br />
up until <strong>Philip</strong>’s death Alex<strong>and</strong>er is systematically differentiated from