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Philip II and Alexander the Great: Father and Son ... - Historia Antigua

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48 FATHER, SON, AND COURT<br />

reporting that <strong>the</strong> mass weddings at Susa were held according to<br />

Persian fashion, says that <strong>the</strong> brides, including <strong>the</strong> royal brides, were<br />

present, sat beside <strong>the</strong>ir husb<strong>and</strong>s, <strong>and</strong> were kissed by <strong>the</strong>m. We know<br />

that in <strong>the</strong> Hellenistic period, following <strong>the</strong> example of <strong>Philip</strong> <strong>II</strong>, royal<br />

weddings became dynastic <strong>and</strong> religious festivals with long processions,<br />

sometimes by sea. 52<br />

What about o<strong>the</strong>r court banquets? Were royal women present<br />

<strong>the</strong>re? In <strong>the</strong> Greek world in general, respectable women did not<br />

attend symposia, but at family feasts both men <strong>and</strong> women were present,<br />

though <strong>the</strong>y may have sat separately. Herodotus (5.17–21) tells a<br />

story about a banquet at <strong>the</strong> Macedonian court in <strong>the</strong> time of Amyntas<br />

I. Whatever <strong>the</strong> literal historicity of this Herodotean tale, 53 although it<br />

has usually been understood to say that elite women did not participate<br />

in court symposia, Herodotus actually has Amyntas assert only<br />

that <strong>the</strong>ir custom ( nomos) was to separate women <strong>and</strong> men whereas<br />

<strong>the</strong> Persians expected <strong>the</strong>ir wives <strong>and</strong> mistresses to sit beside <strong>the</strong>m<br />

(5.18). (The rest of <strong>the</strong> story, however, seems to imply that <strong>the</strong> women<br />

may have been in ano<strong>the</strong>r room since Amyntas had to send for <strong>the</strong>m.)<br />

Indeed, Hoepfner pictured royal women banqueting separately but<br />

equally from men, in parallel banqueting rooms. 54 Some court events<br />

may have been understood as family occasions of <strong>the</strong> sort that both<br />

men <strong>and</strong> women attended. The view that royal women occasionally<br />

participated in royal banquets <strong>and</strong> symposia 55 remains attractive, if<br />

currently unprovable.<br />

Whe<strong>the</strong>r seen in <strong>the</strong> distance or in closer proximity at a banquet,<br />

<strong>the</strong> trappings of royal women would have publicized <strong>the</strong>ir presence<br />

but, at <strong>the</strong> same time, partially concealed it. Kings employed costume<br />

to demonstrate <strong>the</strong>ir power <strong>and</strong> distinction, as well as <strong>the</strong>ir wealth:<br />

<strong>Philip</strong>’s white cloak worn in <strong>the</strong> procession on <strong>the</strong> day of his murder<br />

(Diod. 16.93.1); Alex<strong>and</strong>er’s double plumed helmet (Plut. Alex. 16.4);<br />

his use of mixed eastern <strong>and</strong> western attire (Plut. Alex. 45.1–3) <strong>and</strong><br />

Demetrius Poliorcetes’ famous cloak showing <strong>the</strong> heavenly bodies<br />

(Plut. Demetr. 41.4–5). As with Macedonian disapproval of Alex<strong>and</strong>er’s<br />

eclectic dress (Plut. Alex. 45.3) or negative reaction to Demetrius’<br />

over-<strong>the</strong>-top royal wardrobe (Plut. Demetr. 41.5), a king could<br />

miscalculate <strong>the</strong> effect of costume choices. 56 None<strong>the</strong>less, to be king,<br />

one had to dress <strong>the</strong> part. The same generalization certainly applies<br />

to royal women.<br />

Passages about <strong>the</strong> Hellenistic period associate royal women with<br />

luxurious royal garments <strong>and</strong> litters (Plut. Arat. 17.2–5; Polyaen.<br />

8.57). 57 For <strong>the</strong> Argead period, of garments, we have only <strong>the</strong><br />

gorgeous purple <strong>and</strong> gold fabric used to wrap <strong>the</strong> woman’s bones in<br />

<strong>the</strong> antechamber of Tomb <strong>II</strong> at Vergina, though traces of purple dye

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