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Philip II and Alexander the Great: Father and Son ... - Historia Antigua

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“YOU SHOULD NEVER MEET YOUR HEROES . . . ” 191<br />

operi cedat, dum praeclara libenter prob<strong>and</strong>i necessaria narranti<br />

conscientia non desit. (9.3 ext., Praef.)<br />

. . . monuit cum eo aut quam rarissime aut quam iucundissime<br />

loqueretur, quo scilicet apud regias aures uel silentio tutior uel<br />

sermone esset acceptior. (7.2 ext. 11a)<br />

Let Greek industry also, since it has been of so much assistance<br />

to our own, receive a deserved reward in <strong>the</strong> Latin tongue.<br />

Of course one does not derive benefi t by seeking examples from<br />

unknowns, <strong>and</strong> one forbears to call great men to account for<br />

<strong>the</strong>ir faults. Yet since fi delity to my project urges me to embrace<br />

that which is most outst<strong>and</strong>ing, let my feelings give way to <strong>the</strong><br />

work in h<strong>and</strong>, as long as <strong>the</strong> recounting of necessary examples<br />

does not lead to <strong>the</strong> omission of generous approval for admirable<br />

examples.<br />

. . . he [Aristotle] advised him [Callis<strong>the</strong>nes] that when speaking<br />

with [Alex<strong>and</strong>er] it should be ei<strong>the</strong>r as infrequently or as pleasantly<br />

as possible. From which one underst<strong>and</strong>s that his refuge<br />

should be silence, should his conversation not be acceptable to<br />

<strong>the</strong> royal ears.<br />

Valerius nudges up against <strong>the</strong> trope made famous by Horace when<br />

he characterizes Greek industry (an interesting choice of terms) positively,<br />

but makes it clear that for Greek words <strong>and</strong> deeds—<strong>and</strong> <strong>the</strong>ir<br />

merit—to have real bite, <strong>the</strong>y need to be articulated in Latin: <strong>the</strong> conquering<br />

language of meaningful memorialization. 37 Alex<strong>and</strong>er’s<br />

lively Latin afterlife is <strong>the</strong>reby a gift from Rome to Alex<strong>and</strong>er, without<br />

which <strong>the</strong> cluster of vivid associations which continue to make<br />

Alex<strong>and</strong>er memorable might have been erased from <strong>the</strong> sweep of history.<br />

The last two passages quoted above sum up Valerius’ exemplary<br />

program excellently, <strong>and</strong> I conclude with his earnest attempt to tread<br />

a delicate line between positive examples ( exempla) <strong>and</strong> dangerous<br />

negative anecdotes. He quotes Aristotle advising Callis<strong>the</strong>nes—if<br />

you can’t say something nice don’t say anything at all—before he<br />

sent him to accompany Alex<strong>and</strong>er. As Callis<strong>the</strong>nes might well have<br />

replied with hindsight, you should never meet your heroes.<br />

Summing up, <strong>the</strong> image of Alex<strong>and</strong>er <strong>the</strong> <strong>Great</strong> is one more element<br />

in <strong>the</strong> drunken rampage from (mythic) history to <strong>the</strong> Craggy Isl<strong>and</strong> of<br />

(trans-)cultural memory. Like Fa<strong>the</strong>r Ted’s Henry Sellers, Alex<strong>and</strong>er<br />

“reminds” Valerius of Rome’s most traumatic historical moments—<strong>the</strong><br />

Punic <strong>and</strong> Civil Wars—just like in “you know, <strong>the</strong> fi lms.” 38

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