Philip II and Alexander the Great: Father and Son ... - Historia Antigua
Philip II and Alexander the Great: Father and Son ... - Historia Antigua
Philip II and Alexander the Great: Father and Son ... - Historia Antigua
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210 RECEPTION OF FATHER AND SON<br />
good spring, perhaps under <strong>the</strong> infl uence of <strong>the</strong> simpler texts. The<br />
polarization between <strong>the</strong> water sources, <strong>and</strong> <strong>the</strong> identifi cation of <strong>the</strong><br />
good one as “Memory,” invites <strong>the</strong> supposition that <strong>the</strong> bad or ineffectual<br />
spring is to be identifi ed with <strong>the</strong> spring well known from<br />
o<strong>the</strong>r ancient epigraphic <strong>and</strong> literary references to <strong>the</strong> underworld,<br />
that of Le<strong>the</strong>, “Forgetting.” 9<br />
The four more elaborate tablets make a three-way wordplay with<br />
<strong>the</strong> terms “souls” ( psuchai), “cold” water ( psuchron) <strong>and</strong> “refresh”<br />
(psuchontai, from psuchō). The existing “souls” “refresh” <strong>the</strong>mselves<br />
at <strong>the</strong> bad spring, whereas <strong>the</strong> tablet-bearer aspires to drink <strong>the</strong> “cold”<br />
water of <strong>the</strong> lake of Memory. One might have thought that this “refreshment”<br />
was a good thing for “souls,” replenishing <strong>the</strong>m, as it<br />
were, with <strong>the</strong>ir essential quality, especially when we recall that<br />
Homer has Ocean sending breezes to “refresh” ( anapsuchein) those<br />
in Elysium <strong>and</strong> that Pindar has Ocean breezes blowing around his Isle<br />
of <strong>the</strong> Blessed, but evidently this is not <strong>the</strong> case. 10 It could be that<br />
psuchontai is to be interpreted at one level, in this context, as meaning<br />
that <strong>the</strong> souls “are given (new) life,” that is that <strong>the</strong>y are reincarnated,<br />
or at any rate destined for it, a process with which <strong>the</strong> erasure of <strong>the</strong><br />
memory of <strong>the</strong>ir previous life is appropriately coordinated. 11<br />
How does this relate to <strong>the</strong> Romance? Alex<strong>and</strong>er also enters a<br />
world in which he fi nds two distinct varieties of water source. The<br />
evidently good spring that offers <strong>the</strong> water of life <strong>and</strong> with it immortality,<br />
<strong>and</strong> <strong>the</strong> bad or at any rate ineffectual springs that surround it,<br />
from which he has <strong>the</strong> misfortune to drink himself. But <strong>the</strong> analogy<br />
becomes a little more kaleidoscoped when we pay attention to vocabulary.<br />
For when <strong>the</strong> cook puts his pickled fi sh into <strong>the</strong> water of life,<br />
<strong>and</strong> it is restored to life, presumably to everlasting life, <strong>the</strong> word <strong>the</strong><br />
Romance employs for <strong>the</strong> action is epsuchōthē (from psuchaō, 2.39,<br />
41), which, while not identical, is strongly reminiscent of <strong>the</strong> word<br />
applied to <strong>the</strong> action of <strong>the</strong> water of <strong>the</strong> bad spring in <strong>the</strong> tablets—<br />
more reminiscent of this certainly than of psuchron, <strong>the</strong> word <strong>the</strong><br />
tablets apply to <strong>the</strong> water of <strong>the</strong> good lake of Memory. And Alex<strong>and</strong>er<br />
laments, “O for my bad luck, 12 that it was not ordained for me to drink<br />
from that immortal spring giving life to <strong>the</strong> lifeless” (2.39). This fi nal<br />
phrase too, “giving life to <strong>the</strong> lifeless,” zōogonousēs ta apsucha, seems<br />
somewhat akin to that describing <strong>the</strong> refreshment of souls at <strong>the</strong> bad<br />
spring in <strong>the</strong> tablets, psuchai . . . psuchontai. But perhaps <strong>the</strong> kaleidoscoping<br />
does after all make a kind of sense, <strong>and</strong> aligns with <strong>the</strong><br />
Romance’s crudely reductive take on “blessedness.” For <strong>the</strong> eternal<br />
life on offer here, <strong>and</strong> that to which Alex<strong>and</strong>er aspires, is not that of<br />
an e<strong>the</strong>real, underworld variety presumably offered by <strong>the</strong> tablets,<br />
but a lusty, full-blooded, earthly variety, which is in some ways