Philip II and Alexander the Great: Father and Son ... - Historia Antigua
Philip II and Alexander the Great: Father and Son ... - Historia Antigua
Philip II and Alexander the Great: Father and Son ... - Historia Antigua
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ALEXANDER IN THE UNDERWORLD 207<br />
related to (<strong>and</strong> evidently better than) <strong>the</strong> text of A. It is also present,<br />
in a differently abbreviated form, in <strong>the</strong> basic β recension as reconstituted<br />
by Bergson, composed, it is thought, at some point between 338<br />
<strong>and</strong> ca. 500 A.D. All <strong>the</strong> motifs upon which my analysis depends are<br />
ei<strong>the</strong>r explicit in <strong>the</strong> Armenian text or in Bergson’s β recension, or are<br />
presupposed by <strong>the</strong>m. However, <strong>the</strong> Leiden MS also embraces isolated<br />
details that are indisputably medieval in <strong>the</strong> form transmitted,<br />
such as <strong>the</strong> personal names Ounna <strong>and</strong> Neraida. 3<br />
It does not take too great a leap of imagination to accept that<br />
Alex<strong>and</strong>er has in this episode entered <strong>the</strong> underworld, or at any rate<br />
a l<strong>and</strong> strongly assimilated to it: <strong>the</strong> very name of <strong>the</strong> place, <strong>the</strong> L<strong>and</strong><br />
of <strong>the</strong> Blessed, is evocative of that of a zone inhabited by <strong>the</strong> fortunate<br />
among <strong>the</strong> dead in <strong>the</strong> Greek literary tradition, <strong>the</strong> Isle(s) of <strong>the</strong><br />
Blessed ( makarōn n ēsoi), to which Hesiod had sent <strong>the</strong> heroes of<br />
Troy, to which Pindar had sent those who had lived through three life<br />
cycles without injustice, <strong>and</strong> to which Plato in <strong>the</strong> Gorgias had sent<br />
those that had lived a just <strong>and</strong> holy life. 4 Fur<strong>the</strong>rmore, <strong>the</strong> L<strong>and</strong> of <strong>the</strong><br />
Blessed’s perpetual darkness, gloom, <strong>and</strong> fog are also characteristic of<br />
<strong>the</strong> canonical underworld, already in <strong>the</strong> Odyssey a l<strong>and</strong> of Night<br />
(Hom. Od. 11.12–19). Its location, too, at <strong>the</strong> very end of <strong>the</strong> world on<br />
<strong>the</strong> horizontal plane, is similarly characteristic of <strong>the</strong> canonical<br />
underworld. The Odyssey’s underworld lies beyond Ocean (10.508,<br />
11.13), as do Hesiod’s Isles of <strong>the</strong> Blessed ( Op. 169–72).<br />
But it is in fact possible to contextualize <strong>the</strong> central imagery of this<br />
episode much more closely against an established <strong>and</strong> tight set of<br />
ancient underworld-related motifs: those found in <strong>the</strong> so-called<br />
Orphic—but more self-professedly Bacchic—tablets or “lamellae.” 5<br />
Of <strong>the</strong>se gold lamellae, or “plates,” about forty survive. They were<br />
buried with initiates, ei<strong>the</strong>r in amulet pouches that <strong>the</strong> initiates wore<br />
around <strong>the</strong>ir necks, or dropped into <strong>the</strong>ir cremation urns. The plates<br />
gave <strong>the</strong> dead person instructions on how to negotiate his (or her) way<br />
through <strong>the</strong> underworld, <strong>and</strong> supplied him with password phrases to<br />
utter before <strong>the</strong> underworld guards he would encounter, in order that<br />
he might achieve a state of blessedness. The earliest tablet dates from<br />
ca. 400 B.C., <strong>and</strong> <strong>the</strong>y fl ourished from this point until <strong>the</strong> fi rst century<br />
A.D.; a straggler from Rome is dated to <strong>the</strong> second or third century A.D.<br />
period. They are found as far west as Rome <strong>and</strong> Sicily, as far east as<br />
Lesbos, 6 as far north as Macedonia, <strong>and</strong> as far south as Crete.<br />
The fl avor of <strong>the</strong> set may be conveyed by <strong>the</strong> earliest tablet, that of<br />
ca. 400 B.C., which hails from Hipponion in Calabria. It helpfully<br />
encompasses most of <strong>the</strong> most vigorously recurring <strong>and</strong> kaleidoscoping<br />
motifs across <strong>the</strong> set as a whole. The tablet had been strung around<br />
its owner’s neck as he was placed in his coffi n: