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Philip II and Alexander the Great: Father and Son ... - Historia Antigua

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ALEXANDER IN THE UNDERWORLD 211<br />

strangely more akin to <strong>the</strong> reincarnated lives that seemingly await <strong>the</strong><br />

souls that drink from <strong>the</strong> bad spring. 13<br />

4. The Importance of Turning Right<br />

Thirteen of <strong>the</strong> tablets explicitly discuss <strong>the</strong> direction in which one<br />

should turn within <strong>the</strong> underworld (L1–L6a, L8). In all except two of<br />

<strong>the</strong>se, <strong>the</strong> direction mentioned is rightward. 14 In one particularly emphatic<br />

though partly obscure tablet (L8), <strong>the</strong> tablet-bearer is directed<br />

toward something (a group of worshippers?) on <strong>the</strong> right <strong>and</strong> <strong>the</strong>n<br />

again directed to follow a rightward road to <strong>the</strong> meadows <strong>and</strong> groves<br />

of Persephone. 15 The tablets that mention only a single (good) water<br />

source, such as those from Eleu<strong>the</strong>rna, assert that this is “on <strong>the</strong> right”<br />

(L5a–L6a). More complicated are <strong>the</strong> directions in <strong>the</strong> more elaborate<br />

tablets. These for <strong>the</strong> most part assert, initially, that <strong>the</strong> bad source is<br />

on <strong>the</strong> right, <strong>and</strong> tell <strong>the</strong> tablet-bearer not even to go near it. Does this<br />

imply that <strong>the</strong> direction in which <strong>the</strong> bearer must turn to fi nd <strong>the</strong><br />

good source is leftward? Not necessarily. Some tablets (e.g., L1) seem<br />

to imply that <strong>the</strong> good source is simply fur<strong>the</strong>r on in <strong>the</strong> same direction,<br />

i.e., fur<strong>the</strong>r rightward. 16 The default notion that <strong>the</strong> good source<br />

should be on <strong>the</strong> right, <strong>and</strong> <strong>the</strong> natural assumption that it should be<br />

on <strong>the</strong> opposite side to <strong>the</strong> bad spring, may explain why one tablet,<br />

<strong>the</strong> one from Petelia (L3) should begin by locating <strong>the</strong> bad source<br />

explicitly on <strong>the</strong> left, for all that it does not <strong>the</strong>n go on to specify <strong>the</strong><br />

location of <strong>the</strong> good source. One fur<strong>the</strong>r tablet (L6a) does explicitly<br />

locate <strong>the</strong> good spring “on <strong>the</strong> left,” albeit not on <strong>the</strong> left of Hades as<br />

such but merely to <strong>the</strong> left of <strong>the</strong> cypress tree, which, confusingly, is<br />

associated with <strong>the</strong> location of <strong>the</strong> bad source in <strong>the</strong> o<strong>the</strong>r tablets. 17<br />

The importance of taking a right turn in <strong>the</strong> underworld has a pedigree<br />

also in <strong>the</strong> broader literature of <strong>the</strong> underworld. In <strong>the</strong> Republic<br />

Plato has <strong>the</strong> souls of <strong>the</strong> just, after judgment, take <strong>the</strong> right-h<strong>and</strong><br />

road, while <strong>the</strong> unjust take <strong>the</strong> left. We may map this onto his claim<br />

in <strong>the</strong> Gorgias that <strong>the</strong> dead are judged in a meadow, from which two<br />

paths lead away, one to <strong>the</strong> Isles of <strong>the</strong> Blessed, <strong>and</strong> one to Tartarus,<br />

“Hell,” although no directions are specifi ed here. 18 And even more<br />

famously Virgil too presents us with a bifurcation in <strong>the</strong> underworld,<br />

with <strong>the</strong> left path leading to <strong>the</strong> tortures of Tartarus <strong>and</strong> <strong>the</strong> right to<br />

<strong>the</strong> delights of <strong>the</strong> Elysian Fields. 19<br />

How does this relate to <strong>the</strong> Romance? The Romance is emphatic<br />

that <strong>the</strong> left-h<strong>and</strong> path is fruitless for Alex<strong>and</strong>er, even taking him<br />

down it for a wasted half day before bringing him back again just to<br />

make <strong>the</strong> point. The right-h<strong>and</strong> path is similarly marked out as <strong>the</strong>

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