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Philip II and Alexander the Great: Father and Son ... - Historia Antigua

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PHILIP’S EURYDICE IN THE PHILIPPEUM AT OLYMPIA 35<br />

glory was brief, for not only did she give birth to a daughter (Europa)<br />

not a son, she was also murdered by Olympias, along with her child,<br />

not long after her husb<strong>and</strong>’s violent death (Ath. 13. 557e; Plut. Alex.<br />

10.8; Paus. 8.7.7; Just. 9.7.12). 7 She is now a mere footnote in Macedonian<br />

history but her position at court (<strong>and</strong> in <strong>Philip</strong>’s life) from <strong>the</strong><br />

day of her marriage in summer 337 to <strong>the</strong> day of his assassination a<br />

year later must have been both very prominent <strong>and</strong> very promising. It<br />

was during that year that construction of <strong>the</strong> <strong>Philip</strong>peum at Olympia<br />

was going on in full swing. And yet modern scholarship has convinced<br />

itself that she was absent from <strong>the</strong> dynastic portrait gallery<br />

designed by <strong>Philip</strong> to be viewed at <strong>the</strong> heart of <strong>the</strong> Panhellenic sanctuary<br />

as an advertisement of his past <strong>and</strong> future plans. His message<br />

was aimed at <strong>the</strong> domestic front as well as at <strong>the</strong> Greeks at large.<br />

We will attempt to decipher that message by looking closely at<br />

Pausanias’ text.<br />

Pausanias states (5.20.10) that <strong>the</strong> <strong>Philip</strong>peum was a round building<br />

made of mud brick, no doubt because he was misled by <strong>the</strong> reddish<br />

brown color of its limestone walls. He states that it was made by<br />

<strong>Philip</strong> after <strong>the</strong> fall of Greece at Chaeronea, <strong>and</strong> it housed statues of<br />

<strong>Philip</strong> <strong>and</strong> Alex<strong>and</strong>er, alongside a statue of Amyntas, <strong>Philip</strong>’s fa<strong>the</strong>r.<br />

These statues, he says, were made by Leochares in ivory <strong>and</strong> gold,<br />

just like <strong>the</strong> portraits of Olympias <strong>and</strong> Eurydice. In his description of<br />

<strong>the</strong> temple of Hera, which lies adjacent to <strong>the</strong> <strong>Philip</strong>peum, Pausanias<br />

(5.17.4) had already remarked that <strong>the</strong> chryselephantine statues of<br />

<strong>Philip</strong>’s Eurydice <strong>and</strong> . . . had been brought in from <strong>the</strong> <strong>Philip</strong>peum.<br />

The text is lacunose but we assume that <strong>the</strong> o<strong>the</strong>r statue was that of<br />

Olympias. 8 There are enough blocks surviving from <strong>the</strong> semicircular<br />

pedestal of <strong>the</strong> statuary group in <strong>the</strong> <strong>Philip</strong>peum ( fi gure 4.2) to suggest<br />

that it originally held fi ve statues even though Pausanias only<br />

saw three in place.<br />

Attempts to fi ll <strong>the</strong> gaps in Pausanias’ text have concentrated on<br />

two Macedonian queens named Eurydice, fi rst, <strong>Philip</strong>’s mo<strong>the</strong>r, wife<br />

of Amyntas <strong>II</strong>I, <strong>and</strong> second, <strong>Philip</strong>’s gr<strong>and</strong>-daughter, Adea, who,<br />

according to Arrian ( FGrH 156 F 1.23), took <strong>the</strong> name Eurydice upon<br />

marriage to her uncle Arrhidaeus, Alex<strong>and</strong>er’s half-bro<strong>the</strong>r. 9 It is<br />

assumed that Adea chose <strong>the</strong> name Eurydice in order to honor <strong>Philip</strong>’s<br />

mo<strong>the</strong>r but we must bear in mind that Adea’s own gr<strong>and</strong>mo<strong>the</strong>r,<br />

Audata, <strong>Philip</strong>’s Illyrian wife, had probably also been renamed Eurydice<br />

(Arr. FGrH 156 F 1.22). Arrhidaeus in his turn assumed his fa<strong>the</strong>r’s<br />

name, <strong>Philip</strong>, upon his accession in 323 (Diod. 18.2.4; Curt. 10.7.7). 10<br />

Fur<strong>the</strong>r name changes are known in <strong>the</strong> Macedonian court. According<br />

to Plutarch ( Mor. 401B), Olympias had three o<strong>the</strong>r names, Polyxena,<br />

Myrtale, <strong>and</strong> Stratonice. 11 We do not know at which stages in her

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