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Music as a Global Resource: - International Council for Caring ...

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SECTION:<br />

<strong>Music</strong> <strong>for</strong> Sustainable Community Development<br />

COUNTRY:<br />

South Africa<br />

PROJECT:<br />

PRESERVING INDIGENOUS INSTRUMENTAL MUSIC AND DANCE PRACTICES OF<br />

AFRICA<br />

DESCRIPTION:<br />

The Center <strong>for</strong> Indigenous Instrumental <strong>Music</strong> and Dance Practices of Africa (CIIMDA), is a<br />

creativity- and per<strong>for</strong>mance-intensive education initiative funded by the Norwegian Foreign<br />

Office. In 2004, it w<strong>as</strong> established in Pretoria. The purpose of CIIMDA is to infuse the<br />

humanizing principles of the indigenous philosophy of the musical arts into contemporary<br />

learning and activities through re-orientating and re-training school learners and teachers in<br />

African countries. Current cl<strong>as</strong>sroom music education in contemporary African nations remains<br />

disproportionately <strong>for</strong>eign focused. Arts education design, curricular content and learning<br />

experiences thereby impact the cultural image and imagination of both trained teachers/educators<br />

and learners. CIIMD, an educational initiative, strives to restore African musical arts<br />

epistemology <strong>as</strong> an effective, scientifically underpinned, learning strategy to instill African<br />

culture through active, creative per<strong>for</strong>mance participation from an early age. Researched and<br />

indigenous African <strong>for</strong>mulations combined with the objectives of the CIIMDA courses, children‘s<br />

festival creations (recorded on DVD) and educational publications (13 books, plus articles),<br />

capture indigenous logic and grammar through:<br />

• Regenerating the spiritual being through constant participation, thereby stimulating<br />

mental health<br />

• Instilling humanity consciousness through structures that engender inter-personal<br />

bonding<br />

• Instilling psycho-physiological health through dance, such <strong>as</strong> feminine, maternity dance<br />

motions beginning in childhood, that strengthen the female body <strong>for</strong> child delivery or the<br />

muscle-m<strong>as</strong>sage dance styles that reduce stress and tension<br />

• Narrated and enacted folktale musical dram<strong>as</strong> that promote normative life virtues and<br />

ideal character attributes<br />

• Therapeutic theatrical enactment of societal experiences<br />

• Imparting multi-faceted life skills and a creative disposition through spiritually enriched<br />

play-mode<br />

• Experiencing the theory and science of knowledge fields; tempering of ego syndromes<br />

• Inclusive participation that eschews competition, discrimination and exclusion<br />

• Interacting with the different capabilities of the community/group in creative<br />

<strong>for</strong>mulations and per<strong>for</strong>mances<br />

Over 2,550 teachers/music educators/community art motivators and education advisers have<br />

attended CIIMDA Center and outreach courses. Some 9,626 learners and students have attended<br />

in-country workshops that showc<strong>as</strong>ed spontaneous group creativity per<strong>for</strong>mances. (DVDs of<br />

courses, creativity and concert per<strong>for</strong>mances are available)<br />

In 2009, with the support of the <strong>Music</strong> Department, CIIMDA designed a Certificate in Africa<br />

Indigenous Cultural Arts Education (CAICAE) awarded by the Continuing Education Department<br />

of the University of Pretoria to teachers/educators from participating African countries (the<br />

syllabus is available).<br />

15

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