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The Modern Interior

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<strong>The</strong> Wheeler & Wilson Sewing Machine Factory, illustrated in Scientific American, 3 May<br />

1879.<br />

Views from around 1913 inside Ford’s Highland Park factory show that<br />

the rationality and efficiency of the work process remained overriding<br />

preoccupations. In that context the appearance of the interior, like those<br />

in Benjamin’s arcades, was achieved as a solution to a problem. Only at<br />

the managerial level did domestic details make an appearance in the<br />

factory at that time. <strong>The</strong> superintendent’s office at Highland Park, for<br />

example, revealed the addition of a few personalized details – a photo on<br />

the wall and a clock among them – which offset the otherwise basic<br />

austerity and functionality of that overtly masculine workspace.<br />

<strong>The</strong> office was scrutinized in a similar way to the factory in the<br />

early twentieth century. Indeed it has been claimed that the changes made<br />

to the office environment as a result of the process of rationalization<br />

were ‘more profound than those in factories’. 27 Another work-based<br />

space determined almost exclusively by function, rather than by aesthetics<br />

or taste, the office resembled the factory in many ways. It did not focus<br />

on the production of manufactured goods, however, but rather on the 123

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