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16 Coleman, Danze and Henderson, Architecture and Feminism.<br />

17 Ibid., p. 232.<br />

18 Ibid., p. 235.<br />

19 Ibid.<br />

20 Quoted in N. Bullock, ‘First the Kitchen – <strong>The</strong>n the Façade’, in Journal of Design History, i/3<br />

and 4 (Oxford, 1988), p. 187.<br />

21 H. Heynen, Architecture and <strong>Modern</strong>ity: A Critique (Cambridge, ma and London, 1999), p. 47.<br />

22 See M. Campbell, ‘What Tuberculosis did for <strong>Modern</strong>ism: <strong>The</strong> Influence of a Curative<br />

Environment on <strong>Modern</strong>ist Architecture and Design’, in Medica History, xlix/4; (1 October<br />

2005), pp. 463–88 (online at http:/www.pubmedcentral.nih.gov/articlerender.fcgi?artid<br />

=1251640.<br />

23 Ibid., p. 2.<br />

24 Ibid., p. 3.<br />

25 See A. A. Fou, Paimio Tuberculosis Sanatorium, City of Turku 700th Anniversary Exhibition<br />

(London and New York, 1994).<br />

26 For more information on London’s eighteenth-century coffee houses see J. and L. Pelzer, ‘<strong>The</strong><br />

Coffee Houses of Augustan London’, in History Today, xxxii (9 October 1982), pp. 40–47.<br />

27 www.rakehell.com/article.php?id=206 (accessed 8 February 2008).<br />

Chapter Eight: <strong>The</strong> Mass-produced <strong>Interior</strong><br />

1 Stig Lindegren, ‘A Swedish Housing Investigation’, in Ten Lectures on Swedish Architecture<br />

(Stockholm, 1949), p. 81.<br />

2 See J. Giles, ‘Introduction’ to <strong>The</strong> Parlour and the Suburb: Domestic Identities, Class,<br />

Femininity and <strong>Modern</strong>ity (Oxford and New York, 2004).<br />

3 Lindegren, ‘A Swedish Housing Investigation’, p. 82.<br />

4 Jean Baudrillard, <strong>The</strong> System of Objects, trans. J. Benedict (London and New York, 1996), p. 19.<br />

5 For the feminist writer, Henderson, this incursion of the public sphere into the private<br />

space of the home simply replaced one form of patriarchy with another, that of the<br />

family with that of industry and government. See S. R. Henderson, ‘A Revolution in<br />

the Woman’s Sphere: Grete Lihotzky and the Frankfurt Kitchen’, in Architecture and<br />

Feminism, ed. D. Coleman, E. Danze and C. Henderson (New York, 1996).<br />

6 N. J. Troy, <strong>Modern</strong>ism and the Decorative Arts in France: Art Nouveau to Le Corbusier<br />

(New Haven, ct and London, 1991), p. 216.<br />

7 Ibid., p. 220.<br />

8 Ibid., pp. 222–4.<br />

9 Le Corbusier, Le Corbusier et Pierre Jeanneret, Oeuvres Completes, 1910–1929 (Zurich, 1964),<br />

p. 104.<br />

10 Troy, <strong>Modern</strong>ism and the Decorative Arts in France, p. 224.<br />

11 J. Stewart Johnson ‘Introduction’ to C. Wilk, ed., Marcel Breuer: Furniture and <strong>Interior</strong>s<br />

(New York, 1981), p. 13.<br />

12 Quoted in C. Wilk, Marcel Breuer: Furniture and <strong>Interior</strong>s (New York, 1981), p. 38.<br />

13 See D. Todd and R. Mortimer, <strong>The</strong> New <strong>Interior</strong> Decoration: An Introduction to its Principles<br />

and an International Survey of its Methods (London, 1929); H. Hoffmann, <strong>Modern</strong> <strong>Interior</strong>s<br />

in Europe and America (London, 1930); H. Eckstein (intro), Die Schöne Wohnung: Beispeile<br />

Neuzeitlicher Deutscher Wohnraumer (Munich, 1931); and P. T. Frankl, New Dimensions: the<br />

Decorative Arts of Today in Words and Pictures (New York, 1928).<br />

14 See I. B. Whyte, Bruno Taut and the Architecture of Activism (Cambridge, 1982). 223

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