The Modern Interior

236
Photo Acknowledgements
The author and publishers wish to express their thanks to the following sources of illustrative
material and/or permission to reproduce it. Every effort has been made to contact the copyright
holders for illustrations in this book. If there are any inadvertent omissions these will be corrected
in a future reprint.
Photos Arcaid: pp. 203, 209; courtesy Austrian Archives: p. 51; Austrian National Library Vienna
(Picture Library): p. 95; photos author: pp. 8, 120, 142, 174, 178, 182, 202, 205, 211; photo courtesy of the
author: p. 199; photo courtesy basf Corporate Archives: p. 143; photo courtesy Bauhaus-Archiv,
Museum für Gestaltung: p. 136; photo © Beeldrecht Foundation: p. 138; Bibliothèque Royale de
Belgique (Archives et Musée de la Litérature), Brussels: p. 40; photos copyright Bildarchiv Foto
Marburg: pp. 41, 94; photo courtesy Brooklyn Museum: p. 69; photo Richard Bryant: p. 203; photo
courtesy the Buffalo and Erie County Historical Society: p. 126; from E. O. Burdg, The
Manual of Shop Window Backgrounds for Mercantile Display (Chicago, 1925): p. 63; Caufield and
Shook Collection, Photographic Archives, University of Louisville, ky: p. 148; Centraal Museum,
Utrecht (© Beeldrecht Foundation): p. 176; courtesy Christian Brandstätter Verlag: p. 52; photos
Denver Public Library (Western History Collection): pp. 10, 24; photo courtesy of the Elsie de
Wolfe Foundation: p. 82; reproduced by permission of English Heritage, National Monuments
Record (photo Beford Lemere): p. 29; courtesy of the Florence Knoll Bassett Papers, 1932-2000,
Archives of Ameri can Art, Smithsonian Institution: p. 193; Fondation Le Corbusier, Paris: pp. 93, 141,
153 (© dacs, London, 2008); photo courtesy Guildhall, City of London: p. 116; photos courtesy the
Hagley Museum and Library, Wilmington, de: pp. 122, 123; photos imagno: pp. 51, 52; photo courtesy
of Landmarks of Illinois: p. 180; photos Library of Congress, Washington, dc: pp. 14 (Prints and
Photographs Division, George Grantham Bain Collection), 190 (collection of the Work of Charles
and Ray Eames); reproduced by permission of the London Metropolitan Archives, City of London:
pp. 128, 145; photos Manchester Archives and Local Studies, Central Library: pp. 20, 26; courtesy of
the Marcel Breuer Papers, 1920-1986, Archives of American Art, Smithsonian Institution: p. 156;
photos Mary Evans Picture Library: pp. 61, 127; photo Metropolitan Museum of Art, New York: p. 70;
photo mgm/Photofest: p. 71 (foot); Musée Carnavelet, Paris: p. 112; National Railway Museum,
York/Science and Society Picture Library: p. 30; photo courtesy Netherlands Architecture
Institute, Rotterdam: p. 138; loaned to the Netherlands Architecture Institute by the Van Eesteren-
Fluck and Van Lohuizen Foundation, The Hague: p. 173; New York Historical Society (Mattie
Edwards Hewitt collection): p. 71 (top); photo The Preservation Society of Newport County
(Meservey Collection): p. 27; photo courtesy of the Pritchard Papers, University of East Anglia:
p. 157; from Rapport General: Section Artistique et Technique Vol.4: Mobilier (Paris, 1925): pp. 66,
67, 102; riba Library Photographs Collection: pp. 161, 163; photos Roger Viollet: p. 81 foot (©
dacs, London, 2008), 112; Royal Commission on the Ancient and Historic Monuments: p. 31;
photo Cami Stone: p. 156 (top); photo copyright Toronto Public Library: p. 33; Collections of the
University of Applied Art, Vienna, © Dorothea Stransky: p. 139; photo Wolf and Lotte Schede-Foto:
p. 156 (foot).