The Modern Interior

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Page 1:
The Modern Interior Penny Sparke
Page 5 and 6:
The Modern Interior Penny Sparke re
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Contents Introduction 7 Part 1: Ins
Page 10 and 11:
8 A shopping mall in Calgary, Alber
Page 12 and 13:
10 Mrs Sarah Du Prau and Mrs T. Seb
Page 14 and 15:
12 image, as an assemblage of mater
Page 16 and 17:
ideo logical assumption within west
Page 18 and 19:
16 broadcast from 1996 to 2004, was
Page 20 and 21:
18 1850 and 1939 were further playe
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A Victorian parlour in Manchester,
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22 the second half of the nineteent
Page 26 and 27:
24 Al ‘Bucky’ Lamb’s home in
Page 28 and 29:
26 The dining room of Sedgley New H
Page 30 and 31:
28 notwithstanding, those ‘cottag
Page 32 and 33:
30 The drawing room car on a late-1
Page 34 and 35:
32 Trellis Restaurant, Colony Club,
Page 36 and 37:
‘A Drawing Room Corner’, fronti
Page 38 and 39:
36 attraction, fascination, aura an
Page 40 and 41:
38 new synthesis that would not onl
Page 42 and 43:
40 Henry Van de Velde’s Studio in
Page 44 and 45:
42 The daughter’s bedroom in Pete
Page 46 and 47:
44 When the Scottish architect Char
Page 48 and 49:
46 An umbrella- and coat-stand in t
Page 50 and 51:
48 A sitting area in the Palais Sto
Page 52 and 53:
50 embraced the equally fashionable
Page 54 and 55:
52 The Café Museum in Vienna, desi
Page 56 and 57:
54 furniture as an enhancement to t
Page 58 and 59:
56 A breakfast table set with a ser
Page 60 and 61:
A couture dress by Paul Poiret in a
Page 62 and 63:
60 upper middle-class woman, might
Page 64 and 65:
62 spectacle to entice customers in
Page 66 and 67:
64 for a lot of legwork. It doesn
Page 68 and 69:
66 Georges Djo-Bourgeois, study for
Page 70 and 71:
68 possible anywhere in the exhibit
Page 72 and 73:
70 Raymond Loewy and Lee Simonson,
Page 74 and 75:
72 commercial and ideological messa
Page 76 and 77:
74 psychological link between them.
Page 78 and 79:
76 creations and a marker of his ow
Page 80 and 81:
78 Eileen Gray, Pirogue chaise long
Page 82 and 83:
80 A bedroom for a French house in
Page 84 and 85:
82 Elsie de Wolfe in a couture dres
Page 86 and 87:
84 boudoirs for her female clients
Page 88 and 89:
86 While the haute couture professi
Page 90 and 91:
88 fashion show became a widespread
Page 92 and 93:
90 and modernity. It also highlight
Page 94 and 95:
92 the nineteenth century, therefor
Page 96 and 97:
94 An advocate’s consulting room
Page 98 and 99:
96 both grew from it and was integr
Page 100 and 101:
A dining-room in a Small Town House
Page 102 and 103:
100 Josef Frank, a large living roo
Page 104 and 105:
102 Emile-Jacques Ruhlmann, the liv
Page 106 and 107:
104 An American young woman’s bed
Page 108 and 109:
106 styles available at that time.
Page 110 and 111:
108 equivalent. In that context wom
Page 112 and 113:
110 the public arena to a significa
Page 114 and 115:
The Passage de l’Opéra, Paris, c
Page 116 and 117:
114 employed by nineteenth-century
Page 118 and 119:
A print of an interior view of the
Page 120 and 121:
118 nineteenth century/early twenti
Page 122 and 123:
The interior of the National Museum
Page 124 and 125:
122 A San Francisco can-making fact
Page 126 and 127:
124 processing of administrative ta
Page 128 and 129:
The Central Court of the Larkin Bui
Page 130 and 131:
128 Lyons Tea Shop and waitresses,
Page 132 and 133:
130 of the Gesamtkunstwerk. Archite
Page 134 and 135:
132 An ‘Efficient Grouping of Kit
Page 136 and 137:
134 were linked to a general desire
Page 138 and 139:
The kitchen in the Haus am Horn, de
Page 140 and 141:
138 Erna Meyer’s kitchen in the h
Page 142 and 143:
140 fronts were a deep blue (althou
Page 144 and 145:
142 A chaise longue, designed by Le
Page 146 and 147:
144 ceilings to add a level of rest
Page 148 and 149:
146 that time, governed consumption
Page 150 and 151:
148 Workers assembling Model ‘t
Page 152 and 153:
150 about the interior through the
Page 154 and 155:
152 settlements alone’, one write
Page 156 and 157:
154 saw the furniture items he incl
Page 158 and 159:
The dining room in an apartment, de
Page 160 and 161:
158 created for the apartment build
Page 162 and 163:
160 remained the enhancement of the
Page 164 and 165:
162 Metropolitan Museum of Art, the
Page 166 and 167:
164 including the main hall and the
Page 168 and 169:
166 of Vassar graduates living in i
Page 170 and 171:
168 within it as items of equipment
Page 172 and 173:
170 desire to sever art’s links w
Page 174 and 175:
172 Theo van Doesburg, tiled corrid
Page 176 and 177:
A facade of the house designed by G
Page 178 and 179:
176 The first floor of the house de
Page 180 and 181: 178 A view of the interior looking
Page 182 and 183: 180 apartments he designed for the
Page 184 and 185: 182 The interior in Rudolf M. Schin
Page 186 and 187: 184 the abstract interior had lost
Page 188 and 189: 186 became a popular ideal as well.
Page 190 and 191: 188 and above all equal to, archite
Page 192 and 193: 190 Charles Eames’s Tandem Sling
Page 194 and 195: 192 A 1960s interior, designed by V
Page 196 and 197: 194 An interior containing a range
Page 198 and 199: 196 Davis Gillies, also included an
Page 200 and 201: 198 A combined living and dining ar
Page 202 and 203: 200 which were characterized by the
Page 204 and 205: 202 A bathroom in the Park Hyatt Se
Page 206 and 207: 204 Conclusion Wouldn’t you rathe
Page 208 and 209: 206 intrusion of the media into our
Page 210 and 211: 208 modern interior. They are portr
Page 212 and 213: 210 nonetheless - fulfil the same m
Page 214 and 215: 212 gondolas of Italy’s Venice ha
Page 216 and 217: 214 questioned (see A. Vickery, ‘
Page 218 and 219: 216 33 Ibid., p. 187. 34 Ibid. 35 I
Page 220 and 221: 218 38 Ibid., p. 67. 39 K. Wilson,
Page 222 and 223: 220 8 Ibid. 9 Rice, The Emergence o
Page 224 and 225: 222 20 Rappaport, Shopping for Plea
Page 226 and 227: 224 15 See Thirties: British Art an
Page 228 and 229: 226 Conclusion 1 ‘50 Expert Ideas
Page 232 and 233: 230 Guillén, M. F., The Taylorized
Page 234 and 235: 232 pp. 187-208 Rice, C., The Emerg
Page 236 and 237: 234 Acknowledgements This book is t
Page 238 and 239: 236 Photo Acknowledgements The auth
Page 240 and 241: 238 Djo-Bourgeois, Georges 66, 68 d
Page 242: 240 Saarinen, Eliel 186 Saint-Gaude
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