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216<br />
33 Ibid., p. 187.<br />
34 Ibid.<br />
35 Ibid., p. 188.<br />
36 Kinchin, ‘<strong>Interior</strong>s’, p. 25.<br />
Chapter Two: <strong>The</strong> New <strong>Interior</strong><br />
1 Walter Benjamin, <strong>The</strong> Arcades Project, trans. H. Eiland and K. McLaughlin (Cambridge, ma<br />
and London, 2004), p. 6.<br />
2 For a detailed account of Art Nouveau and Jugendstil, see P. Greenhalgh, ed., Art Nouveau<br />
1890–1914 (London, 2000).<br />
3 See Benjamin, <strong>The</strong> Arcades Project, p. 6.<br />
4 L. Tiersten, Marianne in the Market: Envisioning Consumer Society in Fin-de-Siecle France<br />
(Berkeley and Los Angeles, ca and London, 2001), p. 157.<br />
5 Quoted in J. Heskett, Design in Germany 1870–1918 (London, 1986), p. 52.<br />
6 A. Crawford, Charles Rennie Mackintosh (London, 1995), p. 66.<br />
7 See A. Ellis, <strong>The</strong> Hill House (2004).<br />
8 G. Fahr-Becker, Wiener Werkstatte 1903–1932 (Cologne, 1995), p. 18.<br />
9 See Glasgow’s Hidden Treasure: Charles Rennie Mackintosh’s Ingram Street Tearooms<br />
(Glasgow, 2004).<br />
10 Noted in the text to the display at Glasgow’s Kelvingrove Museum and Art Gallery.<br />
11 Ellis, <strong>The</strong> Hill House.<br />
12 Elaine Denby, Grand Hotels: Reality and Illusion (London, 1998), p. 148.<br />
13 Ibid.<br />
14 See A. Wealleans, Designing Liners: A History of <strong>Interior</strong> Design Afloat (New York and<br />
London, 2006).<br />
15 J. Stewart, Fashioning Vienna: Adolf Loos’s Cultural Criticism (London and New York,<br />
2000), p. 132. In the words of Janet Stewart, ‘the rich man preferred to spend as little time<br />
at home as possible and began to hanker after his old belongings which had been sacrificed<br />
in the name of art.’<br />
16 Benjamin, <strong>The</strong> Arcades Project, p. 6.<br />
Chapter Three: <strong>The</strong> Mass-consumed <strong>Interior</strong><br />
1 Mrs C. Frederick, Selling Mrs Consumer (New York, 1929), p. 220.<br />
2 D. Slater, Consumer Culture and <strong>Modern</strong>ity (Cambridge, 1987), p. 8.<br />
3 B. Colomina, Privacy and Publicity: <strong>Modern</strong> Architecture as Mass Media (Cambridge, ma<br />
and London, 1998), p. 244<br />
4 J. Moran, Reading the Everyday (London and New York, 2005), p. 131.<br />
5 Ibid.<br />
6 For an account of ‘supermodernity’ which links to the idea of ‘lifestyle’ see M. Auge, Non-<br />
Places: Introduction to an Anthropology of Supermodernity (London, 1995).<br />
7 La Revue de Femme, May 1927, no. 6, p. 42.<br />
8 M. Beetham, A Magazine of Her Own? Domesticity and Desire in the Woman’s Magazine,<br />
1800–1914 (London and New York, 1996), p. 8.<br />
9 Ibid., p. 21<br />
10 D. Ryan, <strong>The</strong> Ideal Home Through the Twentieth Century: “Daily Mail” Ideal Home<br />
Exhibition (London, 1997), p. 45.