The Modern Interior

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226 Conclusion 1 ‘50 Expert Ideas for Organising Your Home’, in Good Housekeeping (January 2003), pp. 101–108. 2 See V. Narotzky, ‘Dream Homes and diy: Television, New Media and the Domestic Makeover’, in J. Aynsley and C. Grant, Imagined Interiors: Representing the Domestic Interior since the Renaissance (London, 2006), pp. 258–73. 3 See Jean Baudrillard, America (London, 1989).
Bibliography Abbot, J. A., Jansen (New York, 2006) Abercrombie, S., A Century of Interior Design, 1900–2000: The Design, the Designers, the Products, and the Profession (New York, 2003) Adler, H. A., The New Interior: Modern Decoration for the Modern Home (New York, 1916) Albrecht, D. and C. B. Broikos, eds, On the Job: Design and the American Office (New York, 2000) Anscombe. I., A Woman’s Touch: Women in Design from 1860 to the Present Day (New York, 1984) Attfield, J., ‘Design as a Practice for Modernity: A Case for the Study of the Coffee Table in the Mid Century Domestic Interior’ in Journal of Material Culture, ii/3 (1997), pp. 267–89 Augé, M., Non-Places: Introduction to an Anthropology of Supermodernity (London and New York, 1995) Aynsley, A. and C. Grant, eds, Imagined Interiors: Representing the Domestic Interior since the Renaissance (London, 2006) Aynsley, J. and K. Forde, Design and the Modern Magazine (Manchester, 2007) Bachelard, G., The Poetics of Space: The Classic Look at How We Experience Intimate Spaces (Boston, ma, 1994) Baldwin, B. and M. Gardine, Billy Baldwin: An Autobiography (Boston, ma, 1985) Banham, J., S. Macdonald and J. Porter, Victorian Interior Design (London, 1991) Bartlett, A. P. and S. B. Crater, Sister: The Life of Legendary American Interior Decorator, Mrs. Henry Parish ii (New York, 2000) Battersby, M., The Decorative Twenties (London, 1988) Baudot, F., J. M. Frank (New York, 1999) Bauhaus Furniture: A Legend Reviewed (Berlin, 2003) Baxter, P., ‘Thirty Years of Growth in the Literature of Interior Design’, in Journal of Design History, iv/4 (1991), pp. 241–50 Bayer, P., Art Deco Interiors: Decoration and Design Classics of the 1920s and 1930s (London, 1990) Beecher, C. E., and H. Beecher Stowe, The American Woman’s Home; Or, Principles of Domestic Science (Hartford, ct, 1975 [1869]) Beetham, M., A Magazine of Her Own? Domesticity and Desire in the Woman’s Magazine, 1800–1914 (London and New York, 1996) Benjamin, W., The Arcades Project, trans. H. Eiland and K. McLaughlin (London, 2004) Benton, C., T. Benton, and G. Wood, Art Deco 1910–1939 (London, 2003) Benton, T., The Modernist Home (London, 2006) Berman, M., All That’s Solid Melts into Air: the Experience of Modernity (London, 1982) Bevier, I., The House: Its Plan, Decoration and Care (Chicago, il, 1907) 227
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The Modern Interior Penny Sparke
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The Modern Interior Penny Sparke re
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Contents Introduction 7 Part 1: Ins
Page 10 and 11:
8 A shopping mall in Calgary, Alber
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10 Mrs Sarah Du Prau and Mrs T. Seb
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12 image, as an assemblage of mater
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ideo logical assumption within west
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16 broadcast from 1996 to 2004, was
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18 1850 and 1939 were further playe
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A Victorian parlour in Manchester,
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22 the second half of the nineteent
Page 26 and 27:
24 Al ‘Bucky’ Lamb’s home in
Page 28 and 29:
26 The dining room of Sedgley New H
Page 30 and 31:
28 notwithstanding, those ‘cottag
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30 The drawing room car on a late-1
Page 34 and 35:
32 Trellis Restaurant, Colony Club,
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‘A Drawing Room Corner’, fronti
Page 38 and 39:
36 attraction, fascination, aura an
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38 new synthesis that would not onl
Page 42 and 43:
40 Henry Van de Velde’s Studio in
Page 44 and 45:
42 The daughter’s bedroom in Pete
Page 46 and 47:
44 When the Scottish architect Char
Page 48 and 49:
46 An umbrella- and coat-stand in t
Page 50 and 51:
48 A sitting area in the Palais Sto
Page 52 and 53:
50 embraced the equally fashionable
Page 54 and 55:
52 The Café Museum in Vienna, desi
Page 56 and 57:
54 furniture as an enhancement to t
Page 58 and 59:
56 A breakfast table set with a ser
Page 60 and 61:
A couture dress by Paul Poiret in a
Page 62 and 63:
60 upper middle-class woman, might
Page 64 and 65:
62 spectacle to entice customers in
Page 66 and 67:
64 for a lot of legwork. It doesn
Page 68 and 69:
66 Georges Djo-Bourgeois, study for
Page 70 and 71:
68 possible anywhere in the exhibit
Page 72 and 73:
70 Raymond Loewy and Lee Simonson,
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72 commercial and ideological messa
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74 psychological link between them.
Page 78 and 79:
76 creations and a marker of his ow
Page 80 and 81:
78 Eileen Gray, Pirogue chaise long
Page 82 and 83:
80 A bedroom for a French house in
Page 84 and 85:
82 Elsie de Wolfe in a couture dres
Page 86 and 87:
84 boudoirs for her female clients
Page 88 and 89:
86 While the haute couture professi
Page 90 and 91:
88 fashion show became a widespread
Page 92 and 93:
90 and modernity. It also highlight
Page 94 and 95:
92 the nineteenth century, therefor
Page 96 and 97:
94 An advocate’s consulting room
Page 98 and 99:
96 both grew from it and was integr
Page 100 and 101:
A dining-room in a Small Town House
Page 102 and 103:
100 Josef Frank, a large living roo
Page 104 and 105:
102 Emile-Jacques Ruhlmann, the liv
Page 106 and 107:
104 An American young woman’s bed
Page 108 and 109:
106 styles available at that time.
Page 110 and 111:
108 equivalent. In that context wom
Page 112 and 113:
110 the public arena to a significa
Page 114 and 115:
The Passage de l’Opéra, Paris, c
Page 116 and 117:
114 employed by nineteenth-century
Page 118 and 119:
A print of an interior view of the
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118 nineteenth century/early twenti
Page 122 and 123:
The interior of the National Museum
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122 A San Francisco can-making fact
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124 processing of administrative ta
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The Central Court of the Larkin Bui
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128 Lyons Tea Shop and waitresses,
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130 of the Gesamtkunstwerk. Archite
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132 An ‘Efficient Grouping of Kit
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134 were linked to a general desire
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The kitchen in the Haus am Horn, de
Page 140 and 141:
138 Erna Meyer’s kitchen in the h
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140 fronts were a deep blue (althou
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142 A chaise longue, designed by Le
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144 ceilings to add a level of rest
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146 that time, governed consumption
Page 150 and 151:
148 Workers assembling Model ‘t
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150 about the interior through the
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152 settlements alone’, one write
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154 saw the furniture items he incl
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The dining room in an apartment, de
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158 created for the apartment build
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160 remained the enhancement of the
Page 164 and 165:
162 Metropolitan Museum of Art, the
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164 including the main hall and the
Page 168 and 169:
166 of Vassar graduates living in i
Page 170 and 171:
168 within it as items of equipment
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170 desire to sever art’s links w
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172 Theo van Doesburg, tiled corrid
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A facade of the house designed by G
Page 178 and 179: 176 The first floor of the house de
Page 180 and 181: 178 A view of the interior looking
Page 182 and 183: 180 apartments he designed for the
Page 184 and 185: 182 The interior in Rudolf M. Schin
Page 186 and 187: 184 the abstract interior had lost
Page 188 and 189: 186 became a popular ideal as well.
Page 190 and 191: 188 and above all equal to, archite
Page 192 and 193: 190 Charles Eames’s Tandem Sling
Page 194 and 195: 192 A 1960s interior, designed by V
Page 196 and 197: 194 An interior containing a range
Page 198 and 199: 196 Davis Gillies, also included an
Page 200 and 201: 198 A combined living and dining ar
Page 202 and 203: 200 which were characterized by the
Page 204 and 205: 202 A bathroom in the Park Hyatt Se
Page 206 and 207: 204 Conclusion Wouldn’t you rathe
Page 208 and 209: 206 intrusion of the media into our
Page 210 and 211: 208 modern interior. They are portr
Page 212 and 213: 210 nonetheless - fulfil the same m
Page 214 and 215: 212 gondolas of Italy’s Venice ha
Page 216 and 217: 214 questioned (see A. Vickery, ‘
Page 218 and 219: 216 33 Ibid., p. 187. 34 Ibid. 35 I
Page 220 and 221: 218 38 Ibid., p. 67. 39 K. Wilson,
Page 222 and 223: 220 8 Ibid. 9 Rice, The Emergence o
Page 224 and 225: 222 20 Rappaport, Shopping for Plea
Page 226 and 227: 224 15 See Thirties: British Art an
Page 230 and 231: 228 Blumin, S., The Emergence of th
Page 232 and 233: 230 Guillén, M. F., The Taylorized
Page 234 and 235: 232 pp. 187-208 Rice, C., The Emerg
Page 236 and 237: 234 Acknowledgements This book is t
Page 238 and 239: 236 Photo Acknowledgements The auth
Page 240 and 241: 238 Djo-Bourgeois, Georges 66, 68 d
Page 242: 240 Saarinen, Eliel 186 Saint-Gaude
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