- Page 1: The Modern Interior Penny Sparke
- Page 6 and 7: For Molly, Nancy and Celia Publishe
- Page 9 and 10: Introduction An estate agent’s ph
- Page 11 and 12: them. To that end they developed a
- Page 13 and 14: oom at home. On the other hand the
- Page 15 and 16: or ‘interiority’, on the part o
- Page 17 and 18: middle classes, shopping also becam
- Page 19 and 20: their hands design had the capacity
- Page 21 and 22: Part One Inside Out
- Page 23 and 24: 1 The Private Interior The nineteen
- Page 25 and 26: who in the office has to deal with
- Page 27 and 28: spaces of work and commerce. The id
- Page 29 and 30: Dining room, The Breakers, Ochre Po
- Page 31 and 32: The first class parlour in the Empi
- Page 33 and 34: Female Day Room (Ward 7), Northern
- Page 35 and 36: The Little Blue Tea Rooms, 97 Yonge
- Page 37 and 38: Britain in 1868 and in the usa four
- Page 39 and 40: 2 The New Interior The shattering o
- Page 41 and 42: chaotic proliferation of mass-produ
- Page 43 and 44: Henry Van de Velde, interior of the
- Page 45 and 46: Part of the drawing room in the stu
- Page 47 and 48: Bedroom in the Glasgow studio flat
- Page 49 and 50: interior. The bright white spaces,
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- Page 53 and 54: A sales room on the ground floor of
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were few traces of Jugendstil left
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3 The Mass-consumed Interior The mo
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that took place within those retail
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Various forms of the mass media wer
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An interior of the Bon Marché depa
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A backcloth for a store window disp
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over from the department store for
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Marcel Guillemard, dining room for
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A period room from Cane Acres, an e
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The second-floor drawing room of Ho
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4 The Fashionable Interior Who does
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space. 8 Building, also, on Sigmund
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The sales room in Jacques Doucet’
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A dining room in an exhibition held
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1920s Art Deco dining room, designe
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The frontispiece to Elsie de Wolfe
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An ‘all-white’ living room desi
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tions to that programme of reform i
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1913, orchestrating fashion shows f
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5 The Decorative Interior It is ess
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The living room in the Villa Jeanne
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Otto Wagner, The Post Office Saving
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wall cupboards, fittings, carpet an
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‘inside’ focus than her archite
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article in International Studio mag
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lights, its use of Macassar ebony,
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The library in the London flat of C
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White, working on the interiors of
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a woman in the mid 1930s - she posi
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Part Two Outside In
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6 The Public Interior Others talk a
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Benjamin described them as ‘a cit
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admired, a strategy on the part of
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dral’ of modernity had to strike
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as the division of labour which cut
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The Wheeler & Wilson Sewing Machine
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absence of bourgeois comfort. As ha
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The typing office of the Society fo
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7 The Rational Interior Around this
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aesthetic’. It denoted a high lev
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gospel is going to mean a lot to mo
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directed and restrained, will becom
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of developments in social housing,
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The ‘Frankfurt’ Kitchen, design
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Le Corbusier’s ‘Pavillon de l
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een influenced by the reclining cha
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The smoking room in the Carlton Clu
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8 The Mass-produced Interior The la
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Leonardo da Vinci’s Mona Lisa and
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The staff canteen at the Bijenkorf
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The interior of Le Corbusier’s
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subsequently emulated by many other
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Lichtblau; a baker’s shop in Stoc
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parts went one step further by desi
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The interior of the Eastman Kodak S
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The main lounge and observation end
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with some of the progressive Americ
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9 The Abstract Interior We are in n
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tion at London’s Fine Art Society
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Piet Zwart, Nederlandse Kabel - fab
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Theo van Doesburg and Cornelis van
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about colour and space at their mos
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in the kitchen. Dark-coloured recta
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the interior. The architect’s tot
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interior space was extended outward
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The living room of a San Francisco
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10 The Designed Interior Whether a
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The living area of Taliesin, Wiscon
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approach could be adopted in both s
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for which they were destined. Like
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The entrance area of the Knoll Show
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An interior in Philip Goodwin’s N
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post-war movement of that language,
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An interior containing Pop objects
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through the last years of the twent
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The interior of Giorgio Armani’s
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A shopping mall in Calgary, Alberta
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sphere. The American comedy program
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The interior of the Royalton Hotel
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‘Venice’ in the interior of the
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References Introduction 1 In his bo
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13 R. Dutton, The Victorian Home: S
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11 See G. Crossick and S. Jaumain,
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obligatory’, she also pointed out
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42 See G. Wood, ed., Surreal Things
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16 Coleman, Danze and Henderson, Ar
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(Munich, 2005) and from a visit to
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Bibliography Abbot, J. A., Jansen (
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Ferry, E., ‘“Decorators may be
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Leach, W., Land of Desire: Merchant
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Trocme, S., Influential Interiors:
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visiting professors to the Centre,
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Index Aalto, Alvar 143-4, 194, 195-
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Selfridges department store 117, 11