230 Guillén, M. F., <strong>The</strong> Taylorized Beauty of the Mechanical: Scientific Management and the Rise of <strong>Modern</strong>ist Architecture (Princeton, nj, 2006) Hampton, M., Legendary Decorators of the Twentieth Century (New York, 1992) Hanks, D. A., Donald Deskey: Decorative Designs and <strong>Interior</strong>s (New York, 1987) ——, <strong>The</strong> Decorative Designs of Frank Lloyd Wright (Washington, dc, 1978) Hayden, D., <strong>The</strong> Grand Domestic Revolution: A History of Feminist Designs for American Homes, Neighborhoods and Cities (Cambridge, ma, 1981) Heal, J., <strong>Interior</strong> Decorating: Your Career (London, 1945) Hennessey, W. J., Russel Wright: American Designer (Cambridge, ma, 1983) Heskett, J., Designed in Germany 1870–1918 (London, 1986) Hetherington, K., Capitalism’s Eye: Cultural Spaces of the Commodity (London, 2007) Heynen, H., Architecture and <strong>Modern</strong>ity: A Critique (Cambridge, ma and London, 2001) Heynen, H., and G. Baydar, eds, Negotiating Domesticity: Spatial Productions of Gender in <strong>Modern</strong> Architecture (London and New York, 2005) Highmore, B., Everyday Life and Cultural <strong>The</strong>ory: An Introduction (London and New York, 2002) Hine, T., Populuxe (New York, 1986) Hobhouse, C., 1851 and the Crystal Palace (London, 1937) Hoffman, H., <strong>Modern</strong> <strong>Interior</strong>s in Europe and America (London, 1930) Holmes, J. M., <strong>The</strong> Art of <strong>Interior</strong> Design and Decoration (London, New York, Toronto, 1951) Hounshell, D. A., From the American System to Mass Production, 1800–1932 (London, 1984) Houze, R., ‘From Wiener Kunst im Hause to the Wiener Werkstätte: Marketing Domesticity with Fashionable <strong>Interior</strong> Design’, in Design Issues, xviii/1 (Winter 2002), pp. 3–23 Hvattum, M., and C. Hermansen (eds), Tracing <strong>Modern</strong>ity: Manifestations of the <strong>Modern</strong> in Architecture and the City (London and New York, 2004) ‘<strong>Interior</strong> Design and the Airliner’, in Architectural Review (December 1966), pp 413–22 Isenstadt, S., ‘Picture This: <strong>The</strong> Rise and Fall of the Picture Window’, in Harvard Design Magazine (Autumn 1998), pp. 27–33 ——, <strong>The</strong> <strong>Modern</strong> American House: Spaciousness and Middle Class Identity (Cambridge, 2006) Jackson, L., ‘Contemporary’: Architecture and <strong>Interior</strong>s of the 1950s (London, 1998) ——, Robin and Lucienne Day: Pioneers of Contemporary Design (London, 2001) Jones. C., Colefax and Fowler: <strong>The</strong> Best in English <strong>Interior</strong> Decoration (Boston, ma, New York, Toronto, London, 1989) Kahle, K. M., <strong>Modern</strong> French Decoration (New York and London, 1930) Kaplan, W., ed., <strong>The</strong> Arts and Crafts Movement in Europe and America: Design for the <strong>Modern</strong> World (London, 2004) Kaufmann, E., ‘What is <strong>Modern</strong> <strong>Interior</strong> Design?’, in Introductions to <strong>Modern</strong> Design (New York, 1969) Kiesler, F., Contemporary Art Applied to the Store and its Display (New York, 1930) Knight, A., <strong>The</strong> Hollywood Style (London, 1969) Kirsch, K., <strong>The</strong> Weissenhofsiedlung: Experimental Housing built for the Deutscher Werkbund, Stuttgart 1927 (New York, 1990) Koenig, G., Eames (Cologne, 2005) Kowinski, W., <strong>The</strong> Malling of America: An Inside Look at the Great Consumer Paradise (New York, 1985) Lamonaca, M., ‘Tradition as Transformation: Gio Ponti’s Program for the <strong>Modern</strong> Italian Home, 1928–1933’, in Studies in the Decorative Arts, v/(1997), pp. 52–82 Lange, C., Ludwig Mies van der Rohe and Lilly Reich: Furniture and <strong>Interior</strong>s (Krefeld, 2006) Larabee, E., and M. Vignelli, Knoll Design (New York, 1981)
Leach, W., Land of Desire: Merchants, Power, and the Rise of a New American Culture (New York, 1993) Leavitt, S. A., From Catherine Beecher to Martha Stewart: A Cultural History of Domestic Advice (Chapel Hill, nc and London, 2002) Lees-Maffei, G., ‘From Service to Self-Service: Advice Literature as Design Discourse, 1920–1970’, in Journal of Design History, xiv/3 (2001), pp. 187–206 Lefèbvre, H., <strong>The</strong> Production of Space (Oxford, 1991) Lehmann, U., Tigersprung: Fashion in <strong>Modern</strong>ity (Cambridge, ma and London, 2000) Leslie, F., Designs for Twentieth-Century <strong>Interior</strong>s (London, 2000) Lewis, A., Albert Hadley: <strong>The</strong> Story of America’s Pre-eminent <strong>Interior</strong> Designer (New York, 2005) Lind, C., <strong>The</strong> Wright Style: <strong>The</strong> <strong>Interior</strong>s of Frank Lloyd Wright (London, 1992) Livingstone, K., and L. Parry, International Arts and Crafts (London, 2005) Logan, T., <strong>The</strong> Victorian Parlour: A Cultural Study (Cambridge, 2001) Lukacs, J., ‘<strong>The</strong> Bourgeois <strong>Interior</strong>’, in <strong>The</strong> American Scholar, xxxix (1970), pp. 616–30 Macdonald, S., and J. Porter, Putting on the Style: Setting up Home in the 1950s (London, 1990) Madigan, R., and M. Munro, ‘House Beautiful: Style and Consumption in the Home’, in Sociology, xxx/1 (1996), pp. 41–57 Maldonado, T., <strong>The</strong> Idea of Comfort (London, 1987) Marcus, S., Apartment Stories: City and Home in Nineteenth-Century Paris and London (Berkeley, ca, 1999) Massey, A., Hollywood Beyond the Screen: Design and Material Culture (Oxford, 2000) ——, <strong>Interior</strong> Design of the Twentieth Century (London, 1990 and 2001) McCorquodale, C., History of <strong>Interior</strong> Decoration (London, 1983) McKellar, S., and P. Sparke, eds, <strong>Interior</strong> Design and Identity (Manchester, 2004) McLeod, M., ed., Charlotte Perriand: An Art of Living (New York, 2003) Matthews, G., Just a Housewife: <strong>The</strong> Rise and Fall of Domesticity in America (Oxford and New York, 1987) Miller, D., Home Possessions: Material Culture Behind Closed Doors (Oxford, 2001) Miller, M. B., <strong>The</strong> Bon Marché: Bourgeois Culture and the Department Store, 1869–1920 (Princeton, nj, 1981) ‘<strong>The</strong> <strong>Modern</strong> House Revisited: Twentieth Century Architecture’, <strong>The</strong> Journal of the Twentieth Century Society, 2 (1996) Monro, J., 11 Montpelier Street: Memoirs of an <strong>Interior</strong> Decorator (London, 1988) Nelson, G., and H. Wright, Tomorrow’s House: A Complete Guide for the Home-Builder (New York, 1945) Parsons, F. A., <strong>Interior</strong> Decoration: Its Principles and Practice (New York, 1916) Penner, B., and C. Rice, ‘Constructing the <strong>Interior</strong>’, Journal of Architecture, [special issue], ix/3 (2004) Pimlott, M., Without and Within: Essays on Territory and the <strong>Interior</strong> (Rotterdam, 2007) Post, E., <strong>The</strong> Personality of a House: <strong>The</strong> Blue Book of Charm (New York, 1948) Praz, M., Illustrated History of <strong>Interior</strong> Decoration from Pompeii to Art Nouveau (London, 1981) Quinn, B., <strong>The</strong> Fashion of Architecture (Oxford, 2003) Rappoport, E. D., Shopping for Pleasure: Women in the Making of London’s West End (Princeton, nj, 2000) Reed, C., Bloomsbury Rooms (New Haven, ct and London, 2004) —— ed., Not at Home: the Suppression of Domesticity in <strong>Modern</strong> Art and Architecture (London, 1996) Reimer, S., and D. Leslie, ‘Identity, Consumption and the Home’, in Home Cultures, i/2 (2004), 231
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The Modern Interior Penny Sparke
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The Modern Interior Penny Sparke re
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Contents Introduction 7 Part 1: Ins
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8 A shopping mall in Calgary, Alber
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10 Mrs Sarah Du Prau and Mrs T. Seb
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12 image, as an assemblage of mater
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ideo logical assumption within west
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16 broadcast from 1996 to 2004, was
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18 1850 and 1939 were further playe
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A Victorian parlour in Manchester,
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22 the second half of the nineteent
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24 Al ‘Bucky’ Lamb’s home in
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26 The dining room of Sedgley New H
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28 notwithstanding, those ‘cottag
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30 The drawing room car on a late-1
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32 Trellis Restaurant, Colony Club,
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‘A Drawing Room Corner’, fronti
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36 attraction, fascination, aura an
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38 new synthesis that would not onl
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40 Henry Van de Velde’s Studio in
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42 The daughter’s bedroom in Pete
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44 When the Scottish architect Char
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46 An umbrella- and coat-stand in t
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48 A sitting area in the Palais Sto
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50 embraced the equally fashionable
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52 The Café Museum in Vienna, desi
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54 furniture as an enhancement to t
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56 A breakfast table set with a ser
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A couture dress by Paul Poiret in a
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60 upper middle-class woman, might
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62 spectacle to entice customers in
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64 for a lot of legwork. It doesn
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66 Georges Djo-Bourgeois, study for
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68 possible anywhere in the exhibit
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70 Raymond Loewy and Lee Simonson,
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72 commercial and ideological messa
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74 psychological link between them.
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76 creations and a marker of his ow
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78 Eileen Gray, Pirogue chaise long
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80 A bedroom for a French house in
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82 Elsie de Wolfe in a couture dres
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84 boudoirs for her female clients
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86 While the haute couture professi
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88 fashion show became a widespread
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90 and modernity. It also highlight
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92 the nineteenth century, therefor
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94 An advocate’s consulting room
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96 both grew from it and was integr
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A dining-room in a Small Town House
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100 Josef Frank, a large living roo
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102 Emile-Jacques Ruhlmann, the liv
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104 An American young woman’s bed
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106 styles available at that time.
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108 equivalent. In that context wom
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110 the public arena to a significa
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The Passage de l’Opéra, Paris, c
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114 employed by nineteenth-century
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A print of an interior view of the
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118 nineteenth century/early twenti
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The interior of the National Museum
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122 A San Francisco can-making fact
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124 processing of administrative ta
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The Central Court of the Larkin Bui
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128 Lyons Tea Shop and waitresses,
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130 of the Gesamtkunstwerk. Archite
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132 An ‘Efficient Grouping of Kit
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134 were linked to a general desire
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The kitchen in the Haus am Horn, de
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138 Erna Meyer’s kitchen in the h
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140 fronts were a deep blue (althou
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142 A chaise longue, designed by Le
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144 ceilings to add a level of rest
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146 that time, governed consumption
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148 Workers assembling Model ‘t
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150 about the interior through the
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152 settlements alone’, one write
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154 saw the furniture items he incl
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The dining room in an apartment, de
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158 created for the apartment build
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160 remained the enhancement of the
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162 Metropolitan Museum of Art, the
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164 including the main hall and the
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166 of Vassar graduates living in i
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168 within it as items of equipment
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170 desire to sever art’s links w
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172 Theo van Doesburg, tiled corrid
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A facade of the house designed by G
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176 The first floor of the house de
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178 A view of the interior looking
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- Page 218 and 219: 216 33 Ibid., p. 187. 34 Ibid. 35 I
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- Page 222 and 223: 220 8 Ibid. 9 Rice, The Emergence o
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- Page 226 and 227: 224 15 See Thirties: British Art an
- Page 228 and 229: 226 Conclusion 1 ‘50 Expert Ideas
- Page 230 and 231: 228 Blumin, S., The Emergence of th
- Page 234 and 235: 232 pp. 187-208 Rice, C., The Emerg
- Page 236 and 237: 234 Acknowledgements This book is t
- Page 238 and 239: 236 Photo Acknowledgements The auth
- Page 240 and 241: 238 Djo-Bourgeois, Georges 66, 68 d
- Page 242: 240 Saarinen, Eliel 186 Saint-Gaude