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The Modern Interior

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176<br />

<strong>The</strong> first floor of the house designed by Gerrit Rietveld for Mrs Truus-Schroeder,<br />

Utrecht, 1924.<br />

rather arduous work required to transform the house at different times<br />

of the day manageable.) Inasmuch as it was made up of distinct spaces –<br />

a hallway, a kitchen, a housekeeper’s room, Rietveld’s own workspace (a<br />

space initially left for a garage but never used as such) and a guest room<br />

– the ground floor was laid out fairly conventionally. It was a deliberate<br />

ploy on Rietveld’s behalf to gain building approval. In order to be able to<br />

undertake the innovative design he had planned for it he also described<br />

the upper space to the local authorities as an ‘attic’. In complete contrast<br />

to the ground floor the upper area was left as a single open space,<br />

although, as we have seen, rooms for sleeping and for privacy could be<br />

created through the movement of sliding and folding screens.<br />

In his design for the interior of the Schroeder house Rietveld<br />

fulfilled a number of ambitions. <strong>The</strong> first was to merge painting and<br />

architecture. He achieved that aim in a number of ways which included<br />

placing coloured squares and rectangles on various parts of the ceilings<br />

and walls to achieve different spatial and light effects. In the entrance hall<br />

the presence of a white rectangle served to reflect light from the window<br />

situated above the door. Colour was used in a much more practical way

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