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Nos - Revue des sciences sociales

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abstracts<br />

SANDRA GEELHOED AIDARA<br />

A message from the dawn of time.<br />

Jean-Loup Welcomme on the trail of<br />

the Baluchitherium<br />

In 1994, the palaeontologist Jean-Loup<br />

Welcomme discovered several fossil deposits<br />

in the <strong>des</strong>ert of Pakistani Baluchistan.<br />

Among the bones unearthed over the following<br />

years, were the remains of a giant<br />

mammoth, the Baluchitherium, a colossus<br />

measuring nine metres long and five metres<br />

high and a distant relative of the rhinoceros.<br />

It walked the Earth over twenty million<br />

years ago and, among those large animals<br />

that have now died out, has the original<br />

feature of being a mammal. The mission at<br />

hand is not just of scientific interest, but is<br />

also the opportunity for an on-site encounter<br />

between European scientists and the<br />

local inhabitants. The region is considered<br />

as being among the most inhospitable in the<br />

world and a hub of fanatic Islamic terrorism.<br />

Welcomme understands that without<br />

the support of the Baluchi warlords, he will<br />

not be able to conduct his excavations. His<br />

mission has therefore also been a story of<br />

how the scientist has adopted the customs<br />

of a people, and how the inhabitants themselves<br />

have appropriated the work of excavating<br />

and fossils on a cultural plane.<br />

LUC GWIAZDZINSKI<br />

Defining the urban night<br />

As compared to the human organism,<br />

a city's existence is organised according<br />

to the day-night alternation. Yet, although<br />

there is a growing interest for the city, we<br />

tend to forget its night dimension. This<br />

amnesia concerns just as much the municipal<br />

officials, urban and town planners, technicians<br />

and scientists. In our regions where<br />

during the winter, two thirds of the day light<br />

is lost, there is however a life after day time.<br />

Urban night time is no longer the period of<br />

total obscurity symbolised by curfew and<br />

social rest which inspired artists in quest of<br />

liberty, served as a refuge for criminals and<br />

was a source of distress for the government<br />

scene of new conflicts between individuals<br />

or neighbourhoods which are sleeping, working<br />

or feasting. As a forgotten dimension<br />

of the city and a zone of central tensions,<br />

the night has to open itself to scientific<br />

research. The geographer, proposes according<br />

to two contradictory poles, liberty<br />

and insecurity, the exploration of the city<br />

at night. He tries to define the urban night,<br />

its limits and rhythms, brings to light the<br />

stakes and tensions which accompany this<br />

conquest and wonders about the emergence<br />

of a society which functions 24h/24h.<br />

STÉPHANE JONAS<br />

Jean-Baptiste Boussingault and Alsace<br />

In the rich and varied life and works of<br />

Jean-Baptiste Joseph Dieudonné Boussingault<br />

(1802-1887), a chemist, agronomist,<br />

public figure and internationally renowned<br />

explorer, the time he spent and worked in<br />

Alsace, and more particularly in northern<br />

Alsace (Lobsann, Merkwiller-Pechelbronn<br />

and Goersdorf-Liebfrauenberg), holds a<br />

prime place. In the wake of local and regional<br />

events commemorating the bicentenary<br />

of his birth, this article focuses on that place<br />

by situating it in the life and works of this<br />

great scientist and citizen, considered as the<br />

founder of agricultural chemistry in France.<br />

SAIDA KASMI<br />

Young wanderers of the night in<br />

Strasbourg – paths and crossroads<br />

This article observes the transhumance<br />

of a few young night wanderers in Strasbourg.<br />

While this time of darkness between<br />

the setting and rising of the sun is often<br />

presented as the prime time for merging<br />

with others, the differences in individual<br />

paths demonstrate that everyone has their<br />

own idea of the event and that there are in<br />

fact as many nights as there are subjectivities.<br />

Encounters with other individuals and<br />

groups occur in conventional places which<br />

are stages along routes specific to each<br />

person, but where the solitude experienced<br />

is often an unknown factor since these<br />

nocturnal places are also crossroads used as<br />

staging posts by several such paths, which<br />

therefore interweave. Bars and night clubs<br />

exist not so much through their concrete<br />

walls and the services they offer, but as<br />

spatial no<strong>des</strong> in the network of individual<br />

temporality. They only take substance when<br />

the night sets them up as gateways to the<br />

night itself and explain why night as a<br />

period of time, can also be understood as a<br />

space – even more so than the day – because<br />

people live in the night and night acts as a<br />

container.<br />

MICHEL NACHEZ<br />

Night at the crossroads of cyberspace<br />

For a person firmly rooted in the material<br />

world woven out of material things, the<br />

frontiers between day and night seem to<br />

be marked with astronomic regularity. But<br />

does the same hold true for the cyberplayer?<br />

He becomes involved in a re-forged, artificial<br />

time-space where the concept of night<br />

develops through a multitude of definitions,<br />

where nights crossover and run into each<br />

other, where we could speak of a concept of<br />

a world of non-nights and non-days, or even<br />

a world beyond night and day. Do these<br />

new definitions of night inspire spatial and<br />

temporal confusion, or do they spark off a<br />

reorganisation of representations with users<br />

of cyberspace? When, through cyberspace,<br />

we test out not only the World but also other<br />

worlds, the experience and semantics of<br />

the night are modified. At the crossroads<br />

of cyberspace, is there an enrichment or a<br />

loss of night?<br />

ERIK PESENTI<br />

Passing through the night: Henri<br />

Bosco, Federico Fellini and Fortunato<br />

Seminara<br />

The author of this article has chosen to<br />

speak of the night in the work of two writers<br />

(H. Bosco and the Italian F. Seminara)<br />

and a film maker (F. Fellini). The aim is to<br />

show for each of them, the significance of<br />

"passing through the night". With Bosco,<br />

whose last, unfinished novel we analyse<br />

(Une ombre, in which he coined the phrase<br />

"passing through the night"), we experience<br />

the night as another life, a life of dreams and<br />

mysterious worlds. In the romantic novel by<br />

F. Seminara, on the other hand, night is<br />

a terrifying (and sometimes fatal) ordeal<br />

through which we have to pass and is often<br />

associated with madness and the symbolism<br />

of the moon. The night in the cinema world<br />

of Fellini alone helps people to blossom<br />

out and to become reconciled with the city.<br />

201

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