ECONOMICS UNIQUENESS
ECONOMICS UNIQUENESS
ECONOMICS UNIQUENESS
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
214 ■ THE <strong>ECONOMICS</strong> OF <strong>UNIQUENESS</strong><br />
Introduction<br />
Th e scope of urban cultural heritage conservation has broadened considerably<br />
since the adoption of the Venice Charter of 1964, with the United Nations Educational,<br />
Scientifi c and Cultural Organization (UNESCO) and International Council<br />
on Monuments and Sites (ICOMOS) at the forefront of this change. Th ere has<br />
been a shift away from the conservation of objects and sites as an end in itself,<br />
to also considering the environmental dimensions and social factors of heritage<br />
conservation as well as the intangible values of heritage assets. However, there are<br />
still varied approaches to the rehabilitation and conservation of cultural heritage<br />
in historic urban cores, oft en using in their operational applications the concept<br />
of cultural heritage as spatially well-identifi ed sites or as a series of discrete groups<br />
of remains. Within these diff erent types of interpretations, cultural heritage areas<br />
are still sometimes mainly seen as belonging to the past, disconnected from the<br />
present and from each other within the urban landscape (Moylan et al. 2009).<br />
Worldwide, at both national and regional levels, there are also notable diff erences<br />
in the scope and thus the legislative framework dedicated to urban heritage<br />
conservation; for instance, in China, heritage is defi ned as “immovable physical<br />
remains […] that have signifi cance” (ICOMOS 2000), whereas in Vietnam cultural<br />
heritage comprises both tangible and intangible elements (ASEAN 2000).<br />
Th ese diff erences in defi nitions and approaches contribute to the diffi culty of<br />
attracting fi nancial support, particularly from the private sector, for cultural heritage<br />
conservation (Starr 2010). And so, it can be a challenging and complicated<br />
task to devise creative fi nancial solutions for the revitalization and rehabilitation<br />
of historic urban areas by leveraging a combination of available resources from<br />
the private and public sector.<br />
If one interprets urban heritage as an evolving interrelationship between history,<br />
ecosystems, and culture, this interaction must be seen as a multilayered<br />
integration of natural and cultural heritage. However, projects concerned with<br />
urban natural assets—which include soils, geology, and geomorphology—tend<br />
not to suff er the fi nancial obstacles and restrictions that urban cultural heritage<br />
projects do. In fact, over the past 20 years, an extensive set of best practices has<br />
been developed for the rehabilitation of urban natural brownfi elds, including<br />
a thorough range of fi nancial supports and mechanisms for site management<br />
(RESCUE 2004; U.S. EPA 1999). 1 From this perspective, the present chapter aims<br />
to extend the interpretation and approaches applied to urban natural brownfi elds<br />
to the regeneration and conservation of historic districts.<br />
An urban brownfi eld can be defi ned as any land in a city that has been used in<br />
the past and is not now available for immediate use without some type of intervention<br />
(Alker et al. 2000); urban brownfi elds are areas that may be partially occupied<br />
or vacant. Th is chapter extends the defi nition of brownfi eld oft en used in the United