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Artic Home of the Aryans by Lokamanya Bal ... - Mandhata Global

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221<br />

<strong>the</strong> Vedic myths, and may <strong>the</strong>refore, be termed what <strong>the</strong> lawyers call<br />

direct; but in <strong>the</strong> case <strong>of</strong> mythological evidence only those who<br />

accept <strong>the</strong> Nairukta method <strong>of</strong> interpretation, will admit <strong>the</strong> validity <strong>of</strong><br />

any inference based upon <strong>the</strong> consideration <strong>of</strong> <strong>the</strong>se myths. It is true<br />

that <strong>the</strong> Nairukta school <strong>of</strong> interpretation dates from ancient times,<br />

and that modern scholars have accepted <strong>the</strong> method almost without<br />

reserve, though <strong>the</strong>y might differ from <strong>the</strong> ancient Nairuktas, like<br />

Yâska, in <strong>the</strong> details <strong>of</strong> <strong>the</strong> explanation suggested <strong>by</strong> <strong>the</strong>m. But still<br />

when a new <strong>the</strong>ory is to be established, I thought it safer to separate<br />

<strong>the</strong> mythological from <strong>the</strong> direct evidence bearing upon <strong>the</strong> points at<br />

issue, even when <strong>the</strong> two lines <strong>of</strong> investigation seemed to converge<br />

towards <strong>the</strong> same point.<br />

Now it has been recorded <strong>by</strong> Yâska that <strong>the</strong> Nairuktas explain<br />

most <strong>of</strong> <strong>the</strong> Vedic legends on <strong>the</strong> <strong>the</strong>ory that <strong>the</strong>y represent ei<strong>the</strong>r <strong>the</strong><br />

daily triumph <strong>of</strong> light over darkness, or <strong>the</strong> conquest <strong>of</strong> <strong>the</strong> storm-god<br />

over <strong>the</strong> dark clouds that imprison <strong>the</strong> fertilizing waters and <strong>the</strong> light<br />

<strong>of</strong> <strong>the</strong> sun. Thus when <strong>the</strong> Ashvins are said to have rescued a quail<br />

(Vartikâ) from <strong>the</strong> jaws <strong>of</strong> a wolf, Yâska interprets <strong>the</strong> legend to mean<br />

<strong>the</strong> release and bringing out <strong>of</strong> <strong>the</strong> dawn or light from <strong>the</strong> darkness <strong>of</strong><br />

<strong>the</strong> night (Nir. V, 21). His explanation <strong>of</strong> <strong>the</strong> character <strong>of</strong> Vṛitra is<br />

ano<strong>the</strong>r instance in point. Speaking <strong>of</strong> <strong>the</strong> nature <strong>of</strong> <strong>the</strong> demon, he<br />

thus refers (Nir. II, 16) to <strong>the</strong> opinions <strong>of</strong> <strong>the</strong> different schools, “Who<br />

was Vṛitra? ‘A cloud,’ say <strong>the</strong> Nairuktas; ‘an Asura, son <strong>of</strong> Tvashtṛi,’<br />

say <strong>the</strong> Aitihâsikas. The fall <strong>of</strong> rain arises from <strong>the</strong> mingling <strong>of</strong> <strong>the</strong><br />

waters and <strong>of</strong> light. This is figuratively depicted as a conflict. The<br />

hymns and <strong>the</strong> Brâhmanas describe Vṛitra as a serpent. By <strong>the</strong><br />

expansion <strong>of</strong> his body, he blocked up <strong>the</strong> streams. When he was<br />

destroyed <strong>the</strong> waters flowed forth.”*<br />

* Nir. II, 16. Cf. Muir’s O. S. T. Vol. II, p. 175.

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