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Artic Home of the Aryans by Lokamanya Bal ... - Mandhata Global

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415<br />

above books. The question before us is whe<strong>the</strong>r <strong>the</strong> Vedic hymns,<br />

that is, not only <strong>the</strong> words <strong>of</strong> <strong>the</strong> hymns but also <strong>the</strong> religious system<br />

found or referred to <strong>the</strong>rein, are <strong>the</strong> compositions <strong>of</strong> <strong>the</strong> يishis to<br />

whom <strong>the</strong>y are assigned in <strong>the</strong> Anukramanikâs, or <strong>the</strong> ancient<br />

Indexes <strong>of</strong> <strong>the</strong> Veda, in <strong>the</strong> sense in which <strong>the</strong> Shâkuntala is a<br />

composition <strong>of</strong> Kâlidâsa; or whe<strong>the</strong>r <strong>the</strong>se hymns existed from times<br />

immemorial, in o<strong>the</strong>r words, whe<strong>the</strong>r <strong>the</strong>y are eternal and without a<br />

beginning. The hymns <strong>the</strong>mselves are naturally <strong>the</strong> best evidence on<br />

<strong>the</strong> point. But, as shown <strong>by</strong> Dr. Muir in <strong>the</strong> second chapter (pp. 218-<br />

86) <strong>of</strong> <strong>the</strong> Volume above mentioned, <strong>the</strong> utterances <strong>of</strong> <strong>the</strong> Vedic<br />

يishis on this point are not unanimous. Thus side <strong>by</strong> side with<br />

passages in which <strong>the</strong> Vedic bards have expressed <strong>the</strong>ir emotions,<br />

hopes or fears, or prayed for worldly comforts and victory over <strong>the</strong>ir<br />

enemies, condemning evil practices like gambling with dice (X, 34), or<br />

have described events, which on <strong>the</strong>ir face seem to be <strong>the</strong> events <strong>of</strong><br />

<strong>the</strong> day; side <strong>by</strong> side with passages where <strong>the</strong> poet says that ho has<br />

made (krî) generated (jan), or fabricated (taksh) a new (navyasî or<br />

apûrvya) hymn, much in <strong>the</strong> same way as a carpenter fashions a<br />

chariot (I, 47, 2; 62, 13; II, 19, 8; IV, 16, 20; VIII, 95, 5; X, 23, 6; 39,<br />

14; 54, 6; 160, 5; &c.); or with hymns in which we are plainly told that<br />

<strong>the</strong>y are composed <strong>by</strong> so and so, <strong>the</strong> son <strong>of</strong> so and so, (I, 60, 5; X,<br />

63, 17; 67, 1; &c.), <strong>the</strong>re are to be found in <strong>the</strong> يig-Veda itself an<br />

equally large number <strong>of</strong> hymns where <strong>the</strong> يishis state in<br />

unmistakable terms that <strong>the</strong> hymns sung <strong>by</strong> <strong>the</strong>m were <strong>the</strong> results <strong>of</strong><br />

inspiration from Indra, Varuna, Soma, Aditi, or some o<strong>the</strong>r deity; or<br />

that <strong>the</strong> Vedic verses (richah) directly emanated from <strong>the</strong> Supreme<br />

Purusha, or some o<strong>the</strong>r divine source; or that <strong>the</strong>y were given <strong>by</strong><br />

gods (devatta), or generated <strong>by</strong> <strong>the</strong>m and only seen or perceived<br />

(pashyât) <strong>by</strong> <strong>the</strong> poets in later times, (I, 37, 4; II, 23, 2; VII, 66, 11;<br />

VIII, 59, 6; X, 72, 1; 88, 8; 93, 9; &c.). We are told that Vâch (Speech)<br />

is nityâ or eternal (VIII, 75, 6, also cf. X, 125); or that <strong>the</strong> gods<br />

generated <strong>the</strong> divine Vâch and also <strong>the</strong> hymns (VIII, 100, 11; 101, 16;<br />

X, 88, 8). The evidence <strong>of</strong> <strong>the</strong> Vedic hymns does not, <strong>the</strong>refore,<br />

enable us to decide <strong>the</strong>

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