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Sykes' History of Persia Vol 2 (pdf) - Heritage Institute

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1<br />

32 HISTORY OF PERSIA CHAP.<br />

I propose only to touch very briefly<br />

on a few <strong>of</strong> the stars<br />

in the literary firmament which are cited in chronological<br />

order rather than in groups without making any<br />

pretensions to deep knowledge <strong>of</strong> the subject, which could<br />

1<br />

be acquired only by<br />

a lifetime <strong>of</strong> study.<br />

Rudagi. The first great poet <strong>of</strong> <strong>Persia</strong> after the advent<br />

<strong>of</strong> Islam was Rudagi, who flourished in the first half <strong>of</strong><br />

the tenth century ; among the most famous <strong>of</strong> his poems<br />

is one which he improvised at the request <strong>of</strong> the army, to<br />

induce his royal patron to quit Herat for the capital.<br />

It<br />

runs, in Browne's felicitous translation, as follows :<br />

The sands <strong>of</strong> Oxus, toilsome though they be,<br />

Beneath my feet were s<strong>of</strong>t as silk to me.<br />

Glad at the friend's return, the Oxus deep<br />

Up to our girths in laughing waves shall leap.<br />

Long live Bukhara ! Be thou <strong>of</strong> good cheer !<br />

Joyous towards thee hasteth our Amir !<br />

The Moon's the Prince, Bukhara is the sky ;<br />

O Sky, the Moon shall light thee by and by !<br />

Bukhara is the Mead, the Cypress he ;<br />

Receive at last, O Mead, thy Cypress tree !<br />

On hearing these lines, the Samanid Amir Nasr<br />

descended from his throne, mounted the sentry-horse and<br />

started <strong>of</strong>f in such haste towards his capital<br />

that his riding<br />

boots had to be carried after him ! Few ballads can have<br />

had immediate success <strong>of</strong> such a practical kind.<br />

Al-Eiruni. As I have shown in Chapter LIL, <strong>Persia</strong><br />

towards the close <strong>of</strong> the tenth century <strong>of</strong> our era was<br />

divided up among various all<br />

dynasties, <strong>of</strong> which were<br />

patrons <strong>of</strong> literature, and more especially <strong>of</strong> poets.<br />

Of surpassing<br />

splendour was the brilliant galaxy that adorned the<br />

court <strong>of</strong> Sultan Mahmud <strong>of</strong> Ghazna, who not only attracted<br />

men <strong>of</strong> letters to his court, but used all his power with<br />

weaker princes to secure their leading literary<br />

stars. A<br />

Prince <strong>of</strong><br />

Khwarazm, 2 to send al-Biruni and Avicenna to Ghazna.<br />

The former went willingly, but Avicenna refused to go<br />

and took refuge at the court <strong>of</strong> Kabus.<br />

classical instance is his request<br />

to Mamun,<br />

1<br />

<strong>Persia</strong>n poetry falls generally under one <strong>of</strong> the following headings : I. Kasida,<br />

elegiac or satirical poems, z. Rubai (pi. Rubaiat), quatrain (our epigram). 3. Masnavi,<br />

double-rhymed poem, the vehicle <strong>of</strong> epic and didactic poetry.<br />

3<br />

He was a member <strong>of</strong> the first and less famous dynasty.

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