10.01.2014 Views

Sykes' History of Persia Vol 2 (pdf) - Heritage Institute

Sykes' History of Persia Vol 2 (pdf) - Heritage Institute

Sykes' History of Persia Vol 2 (pdf) - Heritage Institute

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

LXV . ARCHITECTURE AND ART 293<br />

American collector. Nor was the fame <strong>of</strong> <strong>Persia</strong>n stuffs<br />

and colours unknown in medieval Europe, light<br />

blue<br />

material being termed " "<br />

pers in English, as in other<br />

languages <strong>of</strong> the day.<br />

Painting. By Moslem rule the human figure cannot<br />

be represented<br />

in art.<br />

Fortunately this was subject to<br />

exceptions, and descriptions are extant <strong>of</strong> pictures painted<br />

in the schools <strong>of</strong> Damascus, Baghdad and Cairo, in which<br />

such figures appear.<br />

Few <strong>of</strong> the works <strong>of</strong> these artists<br />

have survived, but the Austrian traveller Musil discovered<br />

in the Syrian desert figure paintings <strong>of</strong> the eighth<br />

century.<br />

The most important<br />

is a large picture<br />

in<br />

which the Byzantine Emperor, the Caliph and the<br />

Chosroes are pourtrayed other ; figures <strong>of</strong> the ninth<br />

century have been found at Samarra. The frescoes discovered<br />

by Stein at Khotan 1<br />

may<br />

also be studied.<br />

Among the earliest dated miniature paintings and in<br />

<strong>Persia</strong>n art pictures on a small scale are the best is a<br />

work <strong>of</strong> the Abbasid school from Baghdad, the date <strong>of</strong><br />

which, A.D. 1222, is beyond dispute.<br />

It shows strongly<br />

the<br />

influence <strong>of</strong> Byzantine<br />

art. But this art was soon almost<br />

forgotten, and shortly afterwards Chinese influence became<br />

equally strong, only to be shaken <strong>of</strong>f in its turn. The<br />

is believed to<br />

sack <strong>of</strong> Baghdad by Hulagu in A.D. 1258<br />

have dealt the death-blow to Arab art based on old<br />

tradition, and at the same time to have given birth to<br />

true <strong>Persia</strong>n art. This at first was <strong>Persia</strong>n Mongolian,<br />

still<br />

showing traces <strong>of</strong> Byzantine influence. Its promise<br />

was great, greater indeed than its<br />

accomplishment, for<br />

the overpowering desire for material beauty mastered all<br />

idea <strong>of</strong> dramatic pourtrayal.<br />

At the end <strong>of</strong> the fourteenth century, by which time<br />

Tamerlane had conquered <strong>Persia</strong>, the art had reached its<br />

zenith. There is a perfect equilibrium<br />

between drawing<br />

and colour, but the appeal<br />

is made by the artist to the<br />

eye, and to the eye alone in other<br />

; words, the soul is<br />

wanting. The general impression<br />

is that <strong>of</strong> a scene<br />

pourtrayed with a mass <strong>of</strong> colours, skilfully blended to<br />

1<br />

I have consulted Dr. Martin's Miniature Paintings and Painters <strong>of</strong> <strong>Persia</strong>, etc. ;<br />

also<br />

Gayet's UArt persan. I have to thank Dr. Dietz, <strong>of</strong> the University <strong>of</strong> Vienna, for<br />

the note on Musil's discovery.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!