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Sykes' History of Persia Vol 2 (pdf) - Heritage Institute

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LXV ARCHITECTURE AND ART 287<br />

us the locked doors <strong>of</strong> the past and we seem to share in<br />

;<br />

the feasts and in fights,<br />

the pomp and dalliance <strong>of</strong> the<br />

Safavi kings."<br />

We learn from the pages <strong>of</strong> Krusinski<br />

that the original building described by Chardin was<br />

destroyed by fire, and that we owe the present edifice to<br />

Shah Sultan Husayn. 1<br />

The Chahar Bagh. Such were the chief buildings in<br />

the centre <strong>of</strong> the city,<br />

and we now pass to the Chahar<br />

Bagh, or " Four Gardens," 2<br />

with a splendid double avenue<br />

<strong>of</strong> oriental planes one hundred and feet fifty wide, which<br />

is entered by a fine gateway. Water ran down the centre<br />

in stone channels and collected in basins at the cross<br />

roads, and on each side tiled gateways led to the gardens<br />

<strong>of</strong> the great nobles <strong>of</strong> the Court. To quote the ornate<br />

description by Dr. Fryer, 3 " all the pride <strong>of</strong> Spahaun was<br />

met in the Chaurbaug, and the Grandees were Airing themselves,<br />

prancing about with their numerous Trains, striving<br />

to outvie each other in<br />

Pomp and Generosity. ... In<br />

the Garden itself, variety <strong>of</strong> Green Trees flourishing,<br />

sweet Odors smelling, clear Fountains and Rivers flowing,<br />

charm all the senses ;<br />

nor is there less surprizal<br />

at the<br />

ravishing Sight <strong>of</strong> the delicate Summer-houses by each<br />

Pond's side, built with all the advantages for Recreation<br />

and Delight."<br />

The Madrasa-i-Shah Husayn. Situated <strong>of</strong>f the Chahar<br />

Bagh is a magnificent madrasa, or college, which impressed<br />

me deeply. Beyond<br />

a recessed archway, with decoration<br />

<strong>of</strong> the effective honeycomb pattern, a covered vestibule<br />

leads into the main court. Here a combination <strong>of</strong> shade,<br />

water and flowers enhances the beauty <strong>of</strong> the building,<br />

the chief features <strong>of</strong> which are the exquisite tiles, rising<br />

above a wainscoting <strong>of</strong> marble, and the lovely stencilling.<br />

As the illustration proves, Coste has done full justice to<br />

this stately pile.<br />

The Bridge <strong>of</strong> Allah Verdi Khan. The noble avenue<br />

<strong>of</strong> the Chahar Bagh<br />

leads to the bridge <strong>of</strong> Allah Verdi<br />

1<br />

Trans, by Du Cerceau, i. p. 126.<br />

2<br />

The avenue was built on the site <strong>of</strong> four vineyards. <strong>Persia</strong>ns are very fond <strong>of</strong><br />

building four gardens and dividing each garden into four divisions.<br />

3 East India and <strong>Persia</strong>, ed. for the Hakluyt Society by Crooke. Fryer's<br />

Isfahan is well worth reading.<br />

account <strong>of</strong>

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