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Francis Bacon and his secret society - Grand Lodge of Colorado

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118 FEANCIS BACON<br />

the title <strong>of</strong> " Mr. <strong>Bacon</strong> in Praise <strong>of</strong> <strong>his</strong> Soveraigne." It bears<br />

many points <strong>of</strong> resemblance to Cranmer's speech in the last<br />

scene <strong>of</strong> Henrg VIII., 1 <strong>and</strong> is ostensibly a praise <strong>of</strong> Queen Elizabeth.<br />

Covertly it is a praise <strong>of</strong> <strong>Bacon</strong>'s sovereign lady, the<br />

Crowned Truth. The editor <strong>of</strong> the Conference observes, as so<br />

many others have done, that there is in the style <strong>of</strong> t<strong>his</strong> piece a<br />

<strong>and</strong> rhetorical cadence, traceable in <strong>Bacon</strong>'s<br />

certain affectation<br />

otber compositions <strong>of</strong> t<strong>his</strong> kind, <strong>and</strong> agreeable to the taste <strong>of</strong><br />

the time. He does not, however, follow other critics in saying<br />

that tbis courtly affectation was <strong>Bacon</strong>'s style, or tbat the<br />

fact <strong>of</strong> <strong>his</strong> having written such a piece is sufficient to disprove<br />

him the author <strong>of</strong> other compositions written more naturally<br />

<strong>and</strong> easily. On the contrary, be describes t<strong>his</strong> stilted language as<br />

so alien to <strong>his</strong> individual taste <strong>and</strong> natural manner, tbat there<br />

is no single feature by wbich <strong>his</strong> own style is more specially distinguished,<br />

wherever he speaks in <strong>his</strong> own person, wbether formally<br />

or familiarly, whether in the way <strong>of</strong> narrative, argument,<br />

or oration, than the total absence <strong>of</strong> it.<br />

The truth is that the style <strong>of</strong> <strong>Francis</strong> <strong>Bacon</strong> was the best<br />

method, whatever that might be, for conveying to men's minds the<br />

knowledge or ideas which he was desirous <strong>of</strong> imparting. There<br />

should, he says, be " a diversity <strong>of</strong> methods according to the<br />

subject or matter which is h<strong>and</strong>led. " T<strong>his</strong> part <strong>of</strong> knowledge <strong>of</strong><br />

method in writing he considers to have been so weakly inquired<br />

into as, in fact, to be deficient. He explains that there must be,<br />

in t<strong>his</strong> " method <strong>of</strong> tradition, " first the invention or idea <strong>of</strong> that<br />

which is to be imparted ; next, judgment upon the thing thought<br />

or imagined, <strong>and</strong> lastly, delivery, or imparting <strong>of</strong> the tbougbt or<br />

idea. Then he shows that knowledge is not only for present use,<br />

but also for its own advancement <strong>and</strong> increase. With regard<br />

especially to present use, he points out that there are times <strong>and</strong><br />

seasons for knowledges, as for other things.<br />

How to begin, to<br />

insinuate knowledge, <strong>and</strong> how to refrain from seeming to attempt<br />

to teach? " It is an inquiry <strong>of</strong> great wisdom, what kinds <strong>of</strong> wits<br />

l Further on we shall have occasion to show how in many <strong>of</strong> <strong>Bacon</strong>'s poems,<br />

sonnets, etc., where "the Queen" is praised, the allusion is ambiguous, referring<br />

chiefly, though covertly, to <strong>Bacon</strong>'s Sovereign Mistress, Truth.

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