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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SECRET SOCIETY. 191<br />

voice <strong>and</strong> pronunciation, teaches a decent carriage <strong>of</strong> the countenance<br />

<strong>and</strong> gesture, gives not a little assurance, <strong>and</strong> accustoms<br />

young men to bear being looked at."<br />

He then gives an example from Tacitus (not from Hamlet) <strong>of</strong><br />

a player who<br />

" in a fiction, in a dream <strong>of</strong> passion,<br />

Could force <strong>his</strong> soul so to <strong>his</strong> whole conceit<br />

That, from her working;, all <strong>his</strong> visage wann'd<br />

Tears in <strong>his</strong> eyes, distraction in 's aspect,<br />

A broken voice, <strong>and</strong> <strong>his</strong> whole function suiting<br />

To <strong>his</strong> conceit,<br />

<strong>and</strong> who so moved <strong>and</strong> excited <strong>his</strong> fellow-soldier3 with a fictitious<br />

account <strong>of</strong> the murder <strong>of</strong> <strong>his</strong> brother that, had it not shortly<br />

afterward appeared that nothing <strong>of</strong> the sort had happened, or,<br />

as Hamlet says, that it was " all for nothing " — " nay, that he<br />

never had a brother, would hardly have kept their h<strong>and</strong>s <strong>of</strong>f the<br />

prefect; but the fact was, that he played the whole thing as if it<br />

had been a piece on the stage." l<br />

Highly as <strong>Bacon</strong> extols Poetry in all its branches, but especially<br />

in the narrative <strong>and</strong> dramatic forms, he yet gives to Parabolic<br />

Poetry a still more distinguished place, <strong>and</strong> t<strong>his</strong> would certainly<br />

strike us as strange if it were not that t<strong>his</strong> parabolic method is<br />

found to be so intimately connected with the whole question<br />

<strong>of</strong> <strong>secret</strong> societies, their symbols, ciphers, <strong>and</strong> hieroglyphics.<br />

In the De Augmentis we cannot fail to see that he is everywhere<br />

leading up to a <strong>secret</strong> description <strong>of</strong> <strong>his</strong> own system <strong>of</strong><br />

conveying covert or hidden information <strong>and</strong> <strong>of</strong> moralising two<br />

meanings in one word.<br />

" Parabolic Poesy is <strong>of</strong> a higher character than the others,<br />

<strong>and</strong> appears to be something sacred <strong>and</strong> venerable, especially<br />

as religion itself commonly uses its aid as a means <strong>of</strong> communication<br />

between divinity <strong>and</strong> humanity. But t<strong>his</strong>, too, is corrupted<br />

by the levity <strong>and</strong> idleness <strong>of</strong> wits in dealing with allegory. It<br />

is <strong>of</strong> double use, <strong>and</strong> serves for<br />

contrary purposes, for it serves<br />

for an infoldment, <strong>and</strong> it likewise serves for illustration. In the<br />

latter case the object is a method <strong>of</strong> teaching, in the former an<br />

1 De Aug. vi. 9.

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