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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SECRET SOCIETY. 77<br />

<strong>and</strong> the most splendid imagery, " etc., etc. (Basil Montagu.)<br />

" The Wisdom <strong>of</strong> the Ancients, . . a kind <strong>of</strong> parabolical<br />

poetry. The fables abounding with the deepest thought <strong>and</strong><br />

beauty. ... To the Advancement <strong>of</strong> Learning he brings every<br />

species <strong>of</strong> poetry by which imagination can elevate the mind<br />

from the dungeon <strong>of</strong> the b xly to the enjoying <strong>of</strong> its own essence.<br />

. . . Metaphors, similitudes, <strong>and</strong> analogies make up a great part<br />

<strong>of</strong> <strong>his</strong> reasoning. . . . Ingenuity, poetic fancy, <strong>and</strong> the highest<br />

imagination <strong>and</strong> fertility cannot be denied him." (Craik.)<br />

" The creative fancy <strong>of</strong> a Dante or Milton never called up<br />

more gorgeous images than those suggested by <strong>Bacon</strong>, <strong>and</strong> we<br />

question much whether their worlds surpass <strong>his</strong> in affording<br />

scope for tbe imagination. His extended over all time. His<br />

mind brooded over all nature, . . . unfolding to the gaze <strong>of</strong> the<br />

spectator the order <strong>of</strong> the universe as exhibited to angelic intelligences.<br />

" (Devey.)<br />

" The tendency <strong>of</strong> <strong>Bacon</strong> to see analogies . . . is characteristic<br />

<strong>of</strong> him, the result <strong>of</strong> . . . that mind not truly philosophic,<br />

but truly poetic, which will find similitudes everywhere in<br />

heaven aud earth." (Dr. Abbott.)<br />

" He had the liveliest fancy <strong>and</strong>. most active imagination.<br />

But that he wanted the sense <strong>of</strong> poetic fitness <strong>and</strong> melody, he<br />

might be almost supposed, with <strong>his</strong> reach <strong>and</strong> play <strong>of</strong> thought,<br />

to have been capable, as is maintained in some eccentric modern<br />

theories, <strong>of</strong> writing Shakespeare's plays. No man ever had a<br />

more imaginative power <strong>of</strong> illustration drawn from the most remote<br />

<strong>and</strong> most unlikely analogies ; analogies <strong>of</strong>ten <strong>of</strong> the quaintest<br />

<strong>and</strong> mo^t unexpected kind, but <strong>of</strong>ten, also, not only felicitous<br />

in application, but pr<strong>of</strong>ound <strong>and</strong> true." (Church, pp. 21, 22;<br />

see, also, pp. 19, 24, 173, 197, 200, 204, 217, 171, 201 ; <strong>and</strong> note<br />

that Dr. Church here gives <strong>Bacon</strong> every attribute <strong>of</strong> the poet<br />

excepting the power to write poetry.)<br />

" Gentle <strong>and</strong> susceptible in genius. . . . A mind susceptible <strong>of</strong><br />

all impressions. . . . Trott, a lover <strong>of</strong> poetry <strong>and</strong> wit, advanced<br />

him money. ... As a bencher <strong>Bacon</strong> became the light <strong>and</strong><br />

genius ... <strong>of</strong> Gray's Inn; . . . dressed the dumb show, led

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