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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SECRET SOCIETY. 123<br />

' <strong>of</strong>ten with great applause/ acted by the Lord Chamberlain's<br />

servants. Their title to favour was their popularity as acting<br />

plays at the Globe; <strong>and</strong> it was not till they came to be read as<br />

books that it occurred to people unconnected with the theatre<br />

to ask who wrote them. It seems, however, that curiosity was<br />

speedily <strong>and</strong> effectually excited by the publication, for in the<br />

very next year a second edition <strong>of</strong> both the Richards appeared,<br />

with the name <strong>of</strong> William Shakespeare on the title page; <strong>and</strong><br />

the practice was almost invariably followed by all publishers on<br />

like occasions afterwards. We may conclude, therefore, that it<br />

was about 1597 that play-goers <strong>and</strong> readers <strong>of</strong> plays began to<br />

talk about him, <strong>and</strong> that <strong>his</strong> name would naturally present<br />

itself to an idle penman in want <strong>of</strong> something to use <strong>his</strong> pen<br />

upon. What other inferences will be drawn from its appearance<br />

on the cover <strong>of</strong> t<strong>his</strong> manuscript by those who start with the<br />

conviction that <strong>Bacon</strong>, <strong>and</strong> not Shakespeare, was the real author<br />

<strong>of</strong> Richard II. <strong>and</strong> Richard III., I cannot say; but to myself<br />

the fact which I have mentioned seems quite sufficient to account<br />

for the phenomenon. " *<br />

The phenomenon does not seem to require any explanation.<br />

Everything in the list, excepting the plays, is known to be<br />

<strong>Bacon</strong>'s.<br />

Essays, orations, complimentary speeches for festivals,<br />

letters written for, <strong>and</strong> in the names <strong>of</strong>, the Earls <strong>of</strong> Arundel,<br />

Sussex, <strong>and</strong> Essex. Only the plays are called " copies, " because<br />

in their second editions, when men first began to be curious as<br />

to the " concealed poet," <strong>and</strong> Hayward, or some other, was to<br />

be " racked to produce the author," the name Shakespeare was<br />

printed on the hitherto anonymous title-page. The practice<br />

was so common at that date as to cause much bewilderment<br />

<strong>and</strong> confusion to the literary <strong>his</strong>torian; <strong>and</strong> t<strong>his</strong> confusion was,<br />

probably, the very effect which that cause was intended to<br />

produce.<br />

It is worthy <strong>of</strong> note that in the writing-case, or portfolio,<br />

which belonged to <strong>Bacon</strong> (<strong>and</strong> which is in the possession <strong>of</strong><br />

the Howard family at Arundel) a sheet is found similarly<br />

scribbled over with the name William Shakespeare. Considering<br />

the amount <strong>of</strong> argument which has been expended upon<br />

the subject <strong>of</strong> the scribbled names on the fly-leaf <strong>of</strong> the Conference<br />

<strong>of</strong> Pleasure, it would appear too strange for credibility<br />

1 Introduction to the Conference <strong>of</strong> Pleasure, p. xsiv.

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