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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SECRET SOCIETY. 299<br />

<strong>his</strong> subject, he says: " Again, as instances <strong>of</strong> the wit <strong>and</strong> h<strong>and</strong> <strong>of</strong><br />

man, we must not altogether condemn juggling <strong>and</strong> conjuring<br />

tricks. For some <strong>of</strong> them, though, in use, trivial <strong>and</strong> ludicrous,<br />

yet, in regard to the information they give, mag be <strong>of</strong> much<br />

value." 1<br />

The chain <strong>of</strong> ideas in t<strong>his</strong> passage — helps to the underst<strong>and</strong>ing;<br />

many particulars united; by the wit <strong>and</strong> h<strong>and</strong>s <strong>of</strong> man; — these<br />

helps illustrated by the masterpieces <strong>and</strong> mysteries <strong>of</strong> the art <strong>of</strong><br />

paper-making; <strong>and</strong> these arts, again, connected with juggling<br />

<strong>and</strong> tricks, suggested to the present writer the idea <strong>of</strong> examining<br />

the paper on which those books are printed, <strong>and</strong> which had<br />

already been specially noted on account <strong>of</strong> their " <strong>Bacon</strong>ian "<br />

matter <strong>and</strong> style; books which also contain the numberless unaccountable<br />

typographical peculiarities which seem to have<br />

some relation to a system <strong>of</strong> cipher, to be discussed in another<br />

part <strong>of</strong> t<strong>his</strong> work.<br />

A few hours <strong>of</strong> study were sufficient to prove that the very same<br />

"method <strong>of</strong> tradition," or system <strong>of</strong> <strong>secret</strong> communication,<br />

which is perceptible in the hieroglyphic pictures <strong>and</strong> wood-cuts,<br />

hereafter to bs described, prevails, though in a simpler <strong>and</strong><br />

rougher form, throughout the so-called " water-marks" or<br />

paper-marks <strong>of</strong> the <strong>Bacon</strong>ian books, pamphlets <strong>and</strong> manuscripts.<br />

It was also found that the use <strong>and</strong> aim <strong>of</strong> these paper-marks,<br />

<strong>and</strong> their interpretation, are to be most easily reached by means<br />

<strong>of</strong> the metaphorical <strong>and</strong> parabolical language devised <strong>and</strong> taught<br />

by <strong>Bacon</strong> himself, <strong>and</strong> which continues to be used, whether consciously<br />

or unconsciously, not only by <strong>his</strong> acknowledged followers,<br />

but by the whole civilised world. These symbols were<br />

introduced with a purpose higher than that <strong>of</strong> mere decoration<br />

they were, in the first instance, used not only as a means <strong>of</strong> mutual<br />

recognition, but also for covertly instilling or asserting truths<br />

<strong>and</strong> doctrines, in days when bigotry, ignorance, <strong>and</strong> persecution<br />

prevented the free ventilation <strong>of</strong> opinions <strong>and</strong> beliefs. But the<br />

<strong>secret</strong> language <strong>of</strong> the Renaissance philosophers requires a full<br />

volume for its elucidation, so, for the present, we must be con-<br />

1 Nov. Org. xxxi.

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