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Francis Bacon and his secret society - Grand Lodge of Colorado

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174 FRANCIS BACON<br />

powers, Spenser representing- Engl<strong>and</strong> vviLh its religious sense <strong>of</strong><br />

duty combative; Shakespeare, enabled by that English earnestness<br />

to speak through the highest poetry the highest truth?<br />

That the depths were stirred, <strong>and</strong> the spirit <strong>of</strong> the time drew<br />

from the souls <strong>of</strong> men the sweetest music, ennobling <strong>and</strong> elevating<br />

rough soldiers, mechanics, <strong>and</strong> country louts into poets <strong>of</strong><br />

the highest degree? "<br />

But in truth <strong>Bacon</strong> condemned the literary part <strong>of</strong> the<br />

knowledge <strong>of</strong> <strong>his</strong> own time before he touched upon the scientific<br />

part, although, for convenience, the order is here reversed. The<br />

second book <strong>of</strong> the Advancement treats <strong>of</strong> " the Divisions <strong>of</strong> the<br />

Sciences. " There " all human learning " is divided into History,<br />

Poesy, <strong>and</strong> Philosophy, with reference<br />

to the three intellectual<br />

faculties, Memory, Imagination, Reason, <strong>and</strong> we are shown that<br />

the same holds good in theology or divinity.<br />

History he again divides into natural <strong>and</strong> civil (which last<br />

includes ecclesiastical <strong>and</strong> literary <strong>his</strong>tory), <strong>and</strong> natural <strong>his</strong>tory<br />

is subdivided into <strong>his</strong>tories <strong>of</strong> generations <strong>and</strong> arts, <strong>and</strong> into<br />

natural <strong>his</strong>tory, narrative <strong>and</strong> inductive. So we see that the<br />

science comes last in <strong>Bacon</strong>'s contemplations <strong>and</strong> method,<br />

although, in the chair <strong>of</strong> sciences, it connects itself with the first<br />

part <strong>of</strong> human learning— <strong>his</strong>tory. But here at once he discovers<br />

a deficiency. "The <strong>his</strong>tory <strong>of</strong> learning— without which the<br />

<strong>his</strong>tory <strong>of</strong> the world seems to me as the statue <strong>of</strong> Polyphemus<br />

being left out which marks<br />

without the eye, that very feature<br />

the spirit <strong>and</strong> life <strong>of</strong> the person I set down as wanting." As<br />

usual he gives<br />

a summary <strong>of</strong> the requisites for t<strong>his</strong> work, <strong>and</strong><br />

the best method <strong>of</strong> compiling such a <strong>his</strong>tory from the principal<br />

works written in each century from the earliest ages, " that by<br />

tasting them here <strong>and</strong> there, <strong>and</strong> observing their argument,<br />

style, <strong>and</strong> method, the literary spirit <strong>of</strong> each age may be<br />

charmed, as it were, from the dead."<br />

Such a <strong>his</strong>tory would, he considers, greatly assist the skill <strong>of</strong><br />

learned men. " It would exhibit the movements <strong>and</strong> perturbations<br />

which take place no less in intellectual than in civil<br />

matters. In short, it would be a step toward the true study<br />

<strong>of</strong> human nature," which was <strong>his</strong> aim.

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