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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SEGBET SOCIETY.<br />

'<br />

147<br />

what a masque should be, — with its loud <strong>and</strong> cheerful music,<br />

abundance <strong>of</strong> light <strong>and</strong> colour, graceful motions <strong>and</strong> forms, <strong>and</strong><br />

such things as do naturally take the sense, but haviug no<br />

personal reference to the occasion beyond being an entertainment<br />

given in honour <strong>of</strong> a marriage, <strong>and</strong> ending with an <strong>of</strong>fering<br />

<strong>of</strong> flowers to the bride <strong>and</strong> bridegroom. " *<br />

In March, 1617, <strong>Bacon</strong> was installed as Lord Chancellor upon<br />

the death <strong>of</strong> Egerton. On May 7th he rode from Gray's Inn to<br />

Westminster Hall to open the courts in state. " All London<br />

turned out to do him honour, <strong>and</strong> every one who could borrow a<br />

horse <strong>and</strong> a foot-cloth fell into the train; so that more than two<br />

hundred horsemen rode behind him. Through crowds <strong>of</strong> citizens<br />

. . .<br />

<strong>of</strong>players from Bankside, <strong>of</strong> the Puritan hearers <strong>of</strong> Burgess,<br />

<strong>of</strong> the Roman Catholic friends <strong>of</strong> Danvers <strong>and</strong> Armstrong, he<br />

rode, as popular in the streets as he had been in the House <strong>of</strong><br />

Commons, down Chancery Lane <strong>and</strong> the Str<strong>and</strong>, past Charing<br />

Cross, through the open courts <strong>of</strong> Whitehall, <strong>and</strong> by King Street<br />

into Palace yard. " 2<br />

" My friends, chew upon t<strong>his</strong>.<br />

The Bankside players, then, came in a bevy, sufficiently numerous<br />

to be conspicuous <strong>and</strong> registered in <strong>his</strong>tory, <strong>and</strong> all the way'<br />

from Southwark, in order to do honour to the newly made Chancellor.<br />

The Essay <strong>of</strong>Masques <strong>and</strong> Triumphs would suffice to show any<br />

unbiased reader that the author was intimately acquainted with<br />

the practical management <strong>of</strong> a theatre. There is something<br />

particularly graphic in t<strong>his</strong> little<br />

essay, which we commend to<br />

the consideration <strong>of</strong> those who interest themselves in private<br />

theatricals. It should be remembered that <strong>Bacon</strong> would not<br />

insert amongst <strong>his</strong> most polished <strong>and</strong> well filed essays two<br />

pages <strong>of</strong> small particulars ivith which every one was acquainted.<br />

He is clearly instructing those who do not know so much <strong>of</strong> the<br />

matter as he does.<br />

True, he takes a high ground, <strong>and</strong> prefaces <strong>his</strong> remarks with<br />

the reflection that " these things are but toys to come amongst<br />

such serious considerations; but yet, since princes will have such<br />

1 Spedding, Letters <strong>and</strong> Life, iv. 394-5. 2 Story <strong>of</strong> <strong>Bacon</strong>'s Life, 317.

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