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Francis Bacon and his secret society - Grand Lodge of Colorado

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254 FRANCIS BACON<br />

The philosophic poet does not forget to allude to the effects <strong>of</strong><br />

" warm winds <strong>and</strong> moist airs in inducing putrefaction, " <strong>and</strong> in<br />

"increasing pestilential diseases <strong>and</strong> catarrhs." Caliban's<br />

worst imprecation (which, by the way, personifies<br />

true Paracelsian style) is t<strong>his</strong><br />

''As wicked dew as e'er my mother brush'd<br />

With raven's feather from unwholesome fen<br />

Drop on you both! A southwest blow on ye<br />

And blister you all o'er."<br />

even dew in<br />

Prospero is equal to the occasion, <strong>and</strong> answers him in kind<br />

"For t<strong>his</strong>, be sure, thou shalt have cramps,<br />

Side stitches that shall pen thy breath up.<br />

. . . I'll rack thee with old cramps,<br />

Fill all thy bones with aches. " i<br />

<strong>Bacon</strong>'s cogitations on winds, contagion, putrefaction, <strong>and</strong> the<br />

doctrines <strong>of</strong> the human body, <strong>of</strong> the biform figure <strong>of</strong> nature,<br />

<strong>and</strong> <strong>of</strong> the sensitive soul, are inextricably interwoven in the<br />

Shakespeare plays <strong>of</strong> the later period. It is not the intention <strong>of</strong><br />

t<strong>his</strong> book to enter deeply into anything; the aim is to excite<br />

interest, even opposition, if that will promote study, <strong>and</strong> at least<br />

to encourage our younger readers to believe that all is not yet<br />

known on any <strong>of</strong> these subjects, <strong>and</strong> that vast fields <strong>of</strong> delightful<br />

<strong>and</strong> pr<strong>of</strong>itable research lie open for them to explore, delve<br />

into, <strong>and</strong> cultivate. But in order to do t<strong>his</strong>, it is quite certain<br />

that the tool absolutely indispensable is a knowledge <strong>of</strong> <strong>Bacon</strong>'s<br />

works — not only <strong>of</strong> those little pithy essays which embody all<br />

that the ordinary reader conceives as <strong>Bacon</strong>'s writings, exclusive<br />

<strong>of</strong> " exploded science," <strong>and</strong> law tracts <strong>and</strong> speeches, too dull to<br />

be tackled. Let those who are <strong>of</strong> t<strong>his</strong> mind take those very<br />

works <strong>and</strong> read them with the belief that they are the keys to<br />

all the great literature <strong>of</strong> the sixteenth <strong>and</strong> seventeenth<br />

centuries; the touchstones by which the authorship <strong>of</strong> other<br />

works may be tried; sketches for finished pictures or condensed<br />

editions <strong>of</strong> more casual <strong>and</strong> discursive works <strong>of</strong> <strong>Bacon</strong>'s early<br />

1 Tempest, i. 2, <strong>and</strong> compare where Thersites curses Patroclus (<br />

Troilus <strong>and</strong><br />

Cretsida, v. 1), <strong>and</strong> where Marcius curses the Romans (C'uriol. i. 4, 30, etc.).

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