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Francis Bacon and his secret society - Grand Lodge of Colorado

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30 FRANCIS BACON<br />

<strong>and</strong> unpractised in matters <strong>of</strong> subtlety <strong>and</strong> speculation, or were<br />

impatient, <strong>and</strong> in a manner incapable, <strong>of</strong> receiving such things<br />

as did not directly fall under <strong>and</strong> strike the senses. And<br />

even to t<strong>his</strong> day, if any man would let new light in upon the<br />

human underst<strong>and</strong>ing, <strong>and</strong> conquer prejudice, without raising<br />

contests, animosities, opposition, or disturbance, he must still go<br />

on in the same path, <strong>and</strong> have recourse to the like method <strong>of</strong> allegory,<br />

metaphor, <strong>and</strong> allusion. " <strong>Bacon</strong> had said in the Advancement<br />

<strong>of</strong> Learning — -<strong>and</strong> he repeated in the De Augmentis in<br />

1623—that such parabolic teaching <strong>and</strong> method <strong>of</strong> interpretation<br />

was deficient, <strong>and</strong> that he was about to set forth examples<br />

for the instruction <strong>of</strong> others. His assertions <strong>and</strong> conclusions<br />

were never challenged or contradicted. On the contrary, <strong>his</strong><br />

contemporaries tacitly acquiesced in <strong>his</strong> statements, <strong>and</strong> posterity<br />

has endorsed the estimate given by the great men <strong>of</strong> <strong>his</strong><br />

time as to <strong>his</strong> vast <strong>and</strong> pr<strong>of</strong>ound learning <strong>and</strong> <strong>his</strong> excellent judgment.<br />

When, therefore, we meet with other works <strong>of</strong> <strong>his</strong> time,<br />

not published under <strong>his</strong> name, but abounding in " the like<br />

method " <strong>and</strong> use <strong>of</strong> allegory, metaphor, <strong>and</strong> allusion, we may<br />

with reason question the origin <strong>of</strong> such works; we may even<br />

consider it to be a matter <strong>of</strong> considerable doubt. In any case<br />

we shall be prepared to find <strong>Bacon</strong>'s own works abounding with<br />

metaphors <strong>and</strong> similes, <strong>and</strong> <strong>his</strong> new <strong>and</strong> subtle ideas <strong>and</strong> theories<br />

" wrapped or delivered " in a veil <strong>of</strong> parable, <strong>and</strong> allegory,<br />

<strong>and</strong> symbolic language.<br />

Having regard to such considerations as the foregoing, it was<br />

thought necessary to test the matter by forming a kind <strong>of</strong> dictionary<br />

or harmony <strong>of</strong> the metaphors, similes, <strong>and</strong> figurative expressions<br />

in the acknowledged works <strong>of</strong> <strong>Bacon</strong> <strong>and</strong> in Shakespeare.<br />

About forty thous<strong>and</strong> <strong>of</strong> such figurative passages have<br />

been brought together from the two groups <strong>of</strong> works, <strong>and</strong> it is<br />

thus made clear that the metaphors <strong>and</strong> figures used are to a<br />

marvellous extent the same. They exhibit everywhere the same<br />

knowledge, the same opinions <strong>and</strong> tastes, <strong>and</strong> <strong>of</strong>ten the same<br />

choice <strong>of</strong> words; they mutually elucidate <strong>and</strong> interchange ideas;<br />

they are found to be connected by innumerable small links <strong>and</strong><br />

chains with certain fixed ideas which reappear throughout the

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