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Francis Bacon and his secret society - Grand Lodge of Colorado

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182 FRANCIS BACON<br />

<strong>and</strong> had used it in all <strong>his</strong> works for thirty or forty years, <strong>and</strong><br />

with marvellous effect, we now know well from the internal<br />

evidence <strong>of</strong> those works. In the Promus is a consecutive list<br />

<strong>of</strong> one hundred <strong>and</strong> twenty-six short expressions <strong>of</strong> single<br />

words, <strong>and</strong> farther on eighty more, which are all to be found in<br />

the early Shakespeare plays, <strong>and</strong> more rarely elsewhere. Some <strong>of</strong><br />

these, such as " my L. S. '' (the " Lord, Sir, " <strong>of</strong> Love's Labour's<br />

Lost <strong>and</strong> AWs Well), are dropped in later plays. But by far<br />

the larger number, as "Believe me," "What else?" "Is it<br />

possible ? " " For the rest," " You put me in mind," " Nothing<br />

less," " Say that," etc., are met with throughout all the works<br />

which will hereafter be claimed as <strong>Bacon</strong>'s. Most <strong>of</strong> these<br />

expressions are now such familiar <strong>and</strong> household terms that it<br />

seems strange to imagine that three hundred years ago they<br />

were not in everybody's mouth. What would be thought if it<br />

were found that any great orator <strong>of</strong> our own time had written<br />

down, intermixed with literary notes, which were carefully<br />

preserved, such notes as these "<br />

: Will you see? " " You take it<br />

right," " All t<strong>his</strong> while, " "As is," "I object," "I dem<strong>and</strong>,"<br />

" Well," " More or less," " Prima facie," " If that be so," " Is<br />

it because? " " What else? " " And how now? " " Best <strong>of</strong> all,"<br />

" I was thinking, " " Say, then, " " You put me in mind, " " Good<br />

morning," " Good night "?<br />

Yet these are amongst the private notes " for store <strong>of</strong> forms<br />

<strong>and</strong> elegancies <strong>of</strong> speech. " They are <strong>of</strong> the kind which <strong>Bacon</strong>,<br />

in <strong>his</strong> learned works, describes as deficient; which, even in <strong>his</strong><br />

last great work, the De Augmcntis, he still pronounces to be<br />

deficient <strong>and</strong> mucli needed for the building-up <strong>of</strong> a noble model<br />

<strong>of</strong> language. Can we doubt that in such collections as t<strong>his</strong> we<br />

see <strong>Bacon</strong> in labourer's clothes, digging the clay <strong>and</strong> gathering<br />

the stubble from all over the desolate fields <strong>of</strong> learning, to burn<br />

the bricks wherewith he would rebuild the temple <strong>of</strong> wisdom?<br />

Careful study <strong>and</strong> examination <strong>of</strong> these questions will surely<br />

prove that to <strong>Francis</strong> <strong>Bacon</strong> we owe, not only the gr<strong>and</strong> speculative<br />

philosophy <strong>and</strong> the experimental science which are associated<br />

with <strong>his</strong> name, <strong>and</strong> a vast number <strong>of</strong> works unacknowledged<br />

by him, though published during the sixteenth <strong>and</strong> seventeenth

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